Celje Cathedral is dedicated to the Prophet Daniel. As early as the 12th century there was a small basilica on the site. This was replaced in 1306 by the present building, which served as the church of the abbey which during the Middle Ages stood on the edge of the town. In 1379 the rib vaulted roof was created. The church was altered several times up to the 16th century. In 1413 the Gothic chapel of the Mater Dolorosa was added, which was dedicated in 1420 by the bishop of Freising, Hermann von Cilli. Here is located a carved wooden Pietà, which is the main treasure of the church.
The three-aisled nave has a flat roof and a separate space for the segregated use of nuns. The ceilings are decorated with frescoes of the 15th century, but those of the choir are older than those of the nave: the fragment of the figure of Christ in the middle of the choir ceiling may even date from the 14th century. Other frescoes depict the Three Kings.
During the Baroque period a brightly-decorated chapel of Saint Francis Xavier was added.
The painting of the chancel is by Michael Rosenberger, an artist who restored it in 1851. In 1858 the church was given its present Gothic Revival appearance. Various gravestones from the Middle Ages and the Renaissance (up to the 17th century) decorate the inside and outside walls.
The 39th bishop of Freising, Hermann von Cilli, who died in Celje on 13 December 1421 after an operation, was buried in the church. His monument is now in the presbytery on the Gospel side.
After the reform of the liturgy the windows of the chapel of the Mother of God were replaced by colourful modern windows.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.