Celje Cathedral is dedicated to the Prophet Daniel. As early as the 12th century there was a small basilica on the site. This was replaced in 1306 by the present building, which served as the church of the abbey which during the Middle Ages stood on the edge of the town. In 1379 the rib vaulted roof was created. The church was altered several times up to the 16th century. In 1413 the Gothic chapel of the Mater Dolorosa was added, which was dedicated in 1420 by the bishop of Freising, Hermann von Cilli. Here is located a carved wooden Pietà, which is the main treasure of the church.
The three-aisled nave has a flat roof and a separate space for the segregated use of nuns. The ceilings are decorated with frescoes of the 15th century, but those of the choir are older than those of the nave: the fragment of the figure of Christ in the middle of the choir ceiling may even date from the 14th century. Other frescoes depict the Three Kings.
During the Baroque period a brightly-decorated chapel of Saint Francis Xavier was added.
The painting of the chancel is by Michael Rosenberger, an artist who restored it in 1851. In 1858 the church was given its present Gothic Revival appearance. Various gravestones from the Middle Ages and the Renaissance (up to the 17th century) decorate the inside and outside walls.
The 39th bishop of Freising, Hermann von Cilli, who died in Celje on 13 December 1421 after an operation, was buried in the church. His monument is now in the presbytery on the Gospel side.
After the reform of the liturgy the windows of the chapel of the Mother of God were replaced by colourful modern windows.References:
The Palace of the Kings of Navarre of Olite was one of the seats of the Court of the Kingdom of Navarre, since the reign of Charles III 'the Noble' until its conquest by Castile (1512). The fortification is both castle and palace, although it was built more like a courtier building to fulfill a military function.
On an ancient Roman fortification was built during the reign of Sancho VII of Navarre (13th century) and extended by his successors Theobald I and Theobald II, which the latter was is installed in the palace in 1269 and there he signed the consent letter for the wedding of Blanche of Artois with his brother Henry I of Navarre, who in turn, Henry I since 1271 used the palace as a temporary residence. This ancient area is known as the Old Palace.
Then the palace was housing the Navarrese court from the 14th until 16th centuries, Since the annexation (integration) of the kingdom of Navarre for the Crown of Castile in 1512 began the decline of the castle and therefore its practically neglect and deterioration. At that time it was an official residence for the Viceroys of Navarre.
In 1813 Navarrese guerrilla fighter Espoz y Mina during the Napoleonic French Invasion burned the palace with the aim to French could not make forts in it, which almost brought in ruin. It is since 1937 when architects José and Javier Yarnoz Larrosa began the rehabilitation (except the non-damaged church) for the castle palace, giving it back its original appearance and see today. The restoration work was completed in 1967 and was paid by the Foral Government of Navarre.