Pleterje Charterhouse is the only extant monastery of Carthusian order in Slovenia. The monastery was founded in 1403 by Count Hermann II of Celje, and its construction completed by 1407. In 1471 an Ottoman raid destroyed the buildings, which were reconstructed in a much stronger and more easily defensible manner.
After a long period of decline Archduke Ferdinand II of Inner Austria gave the monastery in 1595 to the Jesuits of Ljubljana. When the Jesuits were suppressed in 1772, Pleterje became state property. In 1839 it passed into private hands.
In 1899 the Carthusians reacquired the site and began construction of a new monastery, which was completed five years later. During World War II the charterhouse suffered severe damage when in 1943 it was set on fire by Communist partisans.
The charterhouse has remained a Carthusian monastery to this day. The buildings date from the second foundation in the late 19th century, except for the Gothic church, dedicated to the Holy Trinity, which survives from the earlier monastery.
The monks cultivate 30 hectares of land, mostly for fruit and honey, which they sell, and from which they also produce wine, fruit spirits (especially pear brandy), mead and beeswax candles.
The monastery accommodates a display of items from the collections of the Dolenjska Museum of local history, and on part of its lands stands the Pleterje Charterhouse Open Air Museum of typical Slovenian buildings. The paintings date from the 17th and 18th centuries, and are attributed to Flemish, French, Italian and German artists. They seem mostly to have reached Pleterje with refugee monks from Bosserville Charterhouse in Lorraine, who were given shelter in Pleterje in 1904.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.