The Château de Montségur ruins are the site of a razed stronghold of the Cathars. The present fortress on the site is actually of a later period. The earliest signs of human settlement in the area date back to the stone age, around 80,000 years ago. Evidence of Roman occupation such as Roman currency and tools have also been found in and around the site. Its name comes from Latin mons securus, which evolved into Mont Ségur in Occitan, which means 'safe hill'. In the Middle Ages the Montsegur region was ruled by the Counts of Toulouse, the Viscounts of Carcassonne and finally the Counts of Foix. Little is known about the fortification until the time of the Albigensian Crusade.
In about 1204, Raymond de Péreille, one of the two lords of Montségur, decided to rebuild the castle that had been in ruins for 40 years or more. Refortified, the castle became a center of Cathar activities, and home to Guilhabert de Castres, a Cathar theologian and bishop. In 1233 the site became 'the seat and head' (domicilium et caput) of the Cathar church. It has been estimated that the fortified site housed about 500 people when in 1241, Raymond VII besieged Montsegur without success. The murder of representatives of the inquisition by about fifty men from Montsegur and faidits at Avignonet on May 28, 1242 was the trigger for the final military expedition to conquer the castle, the siege of Montségur.
In 1242 Hugues de Arcis led the military command of about 10,000 royal troops against the castle that was held by about 100 fighters and was home to 211 Perfects (who were pacifists and did not fight) and civilian refugees. The siege lasted nine months, until in March 1244, the castle finally surrendered. Approximately 220 Cathars were burned en masse in a bonfire at the foot of the pog when they refused to renounce their faith. Some 25 actually took the ultimate Cathar vow of consolamentum perfecti in the two weeks before the final surrender. Those who renounced the Cathar faith were allowed to leave and the castle itself was destroyed.
In the days prior to the fall of the fortress, several Cathars allegedly slipped through the besiegers' lines carrying away a mysterious 'treasure' with them. While the nature and fate of this treasure has never been identified, there has been much speculation as to what it might have consisted of — from the treasury of the Cathar Church to esoteric books or even the actual Holy Grail.
The siege itself was an epic event of heroism and zealotry, akin to that of Masada, with the demise of the Cathars symbolized by the fall of the mountain-top fortress.
The present fortress ruin at Montségur is not from the Cathar era. The original Cathar fortress of Montségur was entirely pulled down by the victorious royal forces after its capture in 1244. It was gradually rebuilt and upgraded over the next three centuries by royal forces. The current ruin is typical of post-medieval royal French defensive architecture of the 17th century.References:
The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.