The village church dedicated to Saint Mary Magdalene in Rennes-le-Château has been rebuilt several times. The earliest church of which there is any evidence on the site may date to the 8th century. However, this original church was almost certainly in ruins by the 10th or 11th century, when another church was built upon the site - remnants of which can be seen in Romanesque pillared arcades on the north side of the apse. This survived in poor repair until the 19th century, when it was renovated by the local priest, Bérenger Saunière.
The village received up to around 100,000 tourists each year at the height of popularity of Dan Brown's bestselling novel The Da Vinci Code. The modern reputation of Rennes-le-Château rises mainly from claims and stories dating from the mid-1950s concerning the local 19th-century priest Father Bérenger Saunière. These stories influenced the authors of the worldwide bestseller The Holy Blood and the Holy Grail in 1982, and that work in turn influenced Dan Brown when he wrote The Da Vinci Code, published in 2003.
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The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.