Château de Peyrepertuse is a ruined fortress and one of the so-called Cathar castles located high in the French Pyrénées in the commune of Duilhac-sous-Peyrepertuse. The view of the castle from Duilhac (to the south) is impressive thanks to the 30 to 40 meter cliff on which the Castle is perched. The main entrance is located on the north side, but in the time of the Cathars, a secret passage through a narrow path behind a rocky overhang allowed entrance by means of a detachable ladder. Today, the secret passage's postern is closed off, but the path is still there.
The castle is one of the 'Five Sons of Carcassonne' along with the castles Quéribus, Puilaurens, Termes, and Aguilar, all situated atop rocky peaks. Peyrepertuse is the biggest of the five castles and it is as vast as Carcassonne. The site was occupied during Roman times from the beginning of the 1st century B.C., as recent archaeological excavations have shown. The first historical references to the castle appeared in 806. It was then Catalan and was called Perapertusès. It belonged to the Count of Besalú, a small city situated in Catalonia between Figueres and Olot according to a text from 1020. It then passed into the earldom of Barcelona in 1111, and then into the viscountcy of Narbonne. From 1180, the Count of Barcelona (Alphonse II, who later became the king of Aragon) secured his independence from vassalage to the king of France.
At the time of the Albigensian Crusade, it was the fief of Guillaume de Peyrepertuse who, not wanting to submit, was excommunicated in 1224. He did finally submit after the failure of the siege of Carcassonne, and the castle became a French possession in 1240. IN 1242, Saint-Louis decided to reinforce it and add a second part, the Sant Jordi dungeon, located higher up on the ridge. The Sant Jordi dungeon was then constructed in 1250-51 and the Old Dungeon as well as the Sainte-Marie Church were re-purposed. The situation in the region was unclear until the signing of the Treaty of Corbeil in 1258 which liberated Catalonia and Languedoc. It also fixed the border as just south of Peyrepertuse Castle. Like its neighbors, the castles of Puilaurens and Queribus, Peyrepertuse was one of the royal fortresses which was reconstructed at the end of the 13th century to defend the border against the Crown of Aragon and then Spain until the 17th century.
In 1355, the castle was restored to its defensive state and Henri de Transtamare, pretender to the Castillian throne, routed at Navarette, was authorized by the king of France Charles V to take refuge there. In 1542, Jean de Graves, lord of Sérignan, seized the castle in the name of the Reformation, but was captured and executed.
The castle was decommissioned as a border point with the Treaty of the Pyrenees in 1659 having lost its strategic interest. Although the citadel was a lot less valuable after the annexation of Roussillon in 1658, a small garrison commanded by a junior officer was maintained until the French Revolution, during which it was abandoned. Sold as a National Property in 1820, its ruins remain today. The first campaign for the preservation of the monument began in 1950.
Today, the ruins of Peyrepertuse Castle welcome close to 100,000 visitors per year.References:
Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.