Albertina museum houses one of the largest and most important print rooms in the world with approximately 65,000 drawings and approximately 1 million old master prints, as well as more modern graphic works, photographs and architectural drawings. Apart from the graphics collection the museum has recently acquired on permanent loan two significant collections of Impressionist and early 20th-century art, some of which will be on permanent display. The museum also houses temporary exhibitions.

The Albertina was erected on one of the last remaining sections of the fortifications of Vienna, the Augustinian Bastion. In 1744 the building was refurbished by Emanuel Teles Count Silva-Tarouca, to become his palace; it was therefore also known as Palais Taroucca. The building was later taken over by Duke Albert of Saxen-Teschen who used it as his residence. He later brought his graphics collection there from Brussels, where he had acted as the governor of the Habsburg Netherlands. He had the building extended by Louis Montoyer. Since then, the palace has immediately bordered the Hofburg. The collection was expanded by Albert's successors.

The collection was created by Duke Albert with the Genoese count Giacomo Durazzo, the Austrian ambassador in Venice. In 1776 the count presented nearly 1,000 pieces of art to the duke and his wife Maria Christina (Maria Theresa's daughter).

In early 1919, ownership of both the building and the collection passed from the Habsburgs to the newly founded Republic of Austria. In 1920 the collection of prints and drawings was united with the collection of the former imperial court library. The name Albertina was established in 1921.

In March 1945, the Albertina was heavily damaged by Allied bomb attacks. The building was rebuilt in the years after the war and was completely refurbished and modernized from 1998 to 2003. Modifications of the exterior entrance sequence, including a signature roof by Hans Hollein were completed 2008, when also the graphics collection finally reopened.

References:

Comments

Your name

Website (optional)



Details

Founded: 1805
Category: Museums in Austria

Rating

4.7/5 (based on Google user reviews)

User Reviews

Alessandro Calzolari (6 months ago)
It's kind of amazing for a museum of this level to sell access to all of its exhibits for the price of regular admission. Absolutely stunning service all around. Outstanding.
Dorina Plugaru (6 months ago)
Amazing museum in the heart of Vienna. Always interesting exhibitions with brief description (in German and English) of each work presented. There is a nice cafe inside the museum where one could have a coffee, dessert or full lunch.
Portik Hunor (6 months ago)
We were here for one of the best exposure, the 'Monet to Picasso'. They are already famous painters, so I'm not gonna describe them, but ad you can imagine, it was really fantastic. This was our first chance to see them at exhibitions, but the place was OK, stuffs too. As we were foreigners, they kindly get us to know every detail as well. We got one 'headphone', which task is to describe several but Not All! the pictures, so there were interesting parts as well, and for a low, 4€ cost is it good to have at least one! Bring headphones, because they didn't told us that part...
absolut madriz (7 months ago)
The Albertina Museum in Vienna's city center is great. The building was rebuilt in the years after the war and was completely refurbished and modernized from 1998 to 2003. Really good art/painting and photography exhibitions.
Mona Masslos (7 months ago)
Love this place and its surroundings. Seen some of my favorite artists and exhibitions here. Can become a bit crowded and entry is not cheap. The souvenir store is also quite nice. If possible bring your student ID or get a year pass, which I think is worth it when living in Vienna.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Hochosterwitz Castle

Hochosterwitz Castle is considered to be one of Austria's most impressive medieval castles. The rock castle is one of the state's landmarks and a major tourist attraction.

The site was first mentioned in an 860 deed issued by King Louis the German of East Francia, donating several of his properties in the former Principality of Carantania to the Archdiocese of Salzburg. In the 11th century Archbishop Gebhard of Salzburg ceded the castle to the Dukes of Carinthia from the noble House of Sponheim in return for their support during the Investiture Controversy. The Sponheim dukes bestowed the fiefdom upon the family of Osterwitz, who held the hereditary office of the cup-bearer in 1209.

In the 15th century, the last Carinthian cup-bearer, Georg of Osterwitz was captured in a Turkish invasion and died in 1476 in prison without leaving descendants. So after four centuries, on 30 May 1478, the possession of the castle reverted to Emperor Frederick III of Habsburg.

Over the next 30 years, the castle was badly damaged by numerous Turkish campaigns. On 5 October 1509, Emperor Maximilian I handed the castle as a pledge to Matthäus Lang von Wellenburg, then Bishop of Gurk. Bishop Lang undertook a substantial renovation project for the damaged castle.

About 1541, German king Ferdinand I of Habsburg bestowed Hochosterwitz upon the Carinthian governor Christof Khevenhüller. In 1571, Baron George Khevenhüller acquired the citadel by purchase. He fortified to deal with the threat of Turkish invasions of the region, building an armory and 14 gates between 1570 and 1586. Such massive fortification is considered unique in citadel construction.

Since the 16th century, no major changes have been made to Hochosterwitz. It has also remained in the possession of the Khevenhüller family as requested by the original builder, George Khevenhüller. A marble plaque dating from 1576 in the castle yard documents this request.

A specific feature is the access way to the castle passing through a total of 14 gates, which are particularly prominent owing to the castle's situation in the landscape. Tourists are allowed to walk the 620-metre long pathway through the gates up to the castle; each gate has a diagram of the defense mechanism used to seal that particular gate. The castle rooms hold a collection of prehistoric artifacts, paintings, weapons, and armor, including one set of armor 2.4 metres tall, once worn by Burghauptmann Schenk.