Trifels Castle is a reconstructed medieval castle near the small town of Annweiler. It is located high above the Queich valley within the Palatinate Forest on one peak of a red sandstone mountain split into three. Trifels Castle is on the peak of the Sonnenberg, and on both of the other two rock elevations there are castle ruins: Anebos Castle and Scharfenberg Castle.
Trifels Castle has been gradually restored since the 19th century and today replicas of the Imperial Regalia of the Holy Roman Empire are on display here. It is—together with Hambach Castle—one of the most popular tourist destinations in the state of Rhineland-Palatinate.
The castle in Rhenish Franconia was first mentioned in a 1081 deed of donation, when it was held by a local noble Diemar, a relative of Archbishop Siegfried I of Mainz. From him Trifels passed to the Imperial Salian dynasty. Emperor Henry V in 1113 made it a Reichsburg (Imperial Castle), rejecting the inheritance claims raised by Archbishop Adalbert of Mainz. The archbishop, allied with Henry's opponent Lothair of Supplinburg, had to spend several years of imprisonment at Trifels.
Upon the death of Emperor Henry V in 1125, his nephew Duke Frederick II of Swabia made the castle a place of safekeeping for the Imperial Regalia of the Hohenstaufen emperors until in 1220 Frederick II of Hohenstaufen moved them to Waldburg Castle in Swabia.
Trifels Castle is also famous as the site where Richard the Lionheart, King of England was imprisoned after he was captured by Duke Leopold V of Austria near Vienna in December 1192 on his return from the Third Crusade. Handed over to Emperor Henry VI of Hohenstaufen, a period of three weeks of captivity at Trifels from 31 March to 19 April 1193 is well documented. According to one legend, Richard was found by the trobador Blondel de Nesle, who reported the king's location to his friends; in fact, Richard's location was not a secret.
Trifels Castle lost its importance with the Interregnum. After the fall of the Hohenstaufen dynasty, the castle was pledged several times. In 1330, it was mortgaged to the Electoral Palatinate. It finally fell to the Dukes of Palatinate-Simmern and Zweibrücken in 1410 and decayed after the Thirty Years' War. Deserted and derelict, the ruin served as a stone quarry, as a result of which the late-Romanesque residential building almost completely disappeared and the outer bailey for the most part.
From about 1840, the Wittelsbach kings of Bavaria had the castle rebuilt. After Ludwig I of Bavaria had reconstruction plans prepared by his court architect August von Voit already in 1851, Georg von Schacky made a reconstruction drawing in 1881 and the Trifels Association (founded in 1860) had carried out structural measures in 1882, in particular the erection of the great well arch, the Munich architect Rudolf Esterer designed a monumental rebuilding project following the model of south Italian Hohenstaufen castles, initiated by the Trifels Association and born by the cultural-political ideology of the Nazi epoch.
The Nazi era reconstruction in 1938-1942 and later reconstructions utilized in part the preserved walls from the Middle Ages or those found by archaeological investigations in 1935-1937, but also in many cases rigorously ignored the original medieval findings and created essentially an architectural reinterpretation of the 20th century.
The present-day castle is in large parts not true to the medieval original. It is characterized by a large well tower outside the ring wall, linked to the castle by a bridge. The surrounding rocky landscape is a popular venue for mountaineers.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.