Trifels Castle is a reconstructed medieval castle near the small town of Annweiler. It is located high above the Queich valley within the Palatinate Forest on one peak of a red sandstone mountain split into three. Trifels Castle is on the peak of the Sonnenberg, and on both of the other two rock elevations there are castle ruins: Anebos Castle and Scharfenberg Castle.
Trifels Castle has been gradually restored since the 19th century and today replicas of the Imperial Regalia of the Holy Roman Empire are on display here. It is—together with Hambach Castle—one of the most popular tourist destinations in the state of Rhineland-Palatinate.
The castle in Rhenish Franconia was first mentioned in a 1081 deed of donation, when it was held by a local noble Diemar, a relative of Archbishop Siegfried I of Mainz. From him Trifels passed to the Imperial Salian dynasty. Emperor Henry V in 1113 made it a Reichsburg (Imperial Castle), rejecting the inheritance claims raised by Archbishop Adalbert of Mainz. The archbishop, allied with Henry's opponent Lothair of Supplinburg, had to spend several years of imprisonment at Trifels.
Upon the death of Emperor Henry V in 1125, his nephew Duke Frederick II of Swabia made the castle a place of safekeeping for the Imperial Regalia of the Hohenstaufen emperors until in 1220 Frederick II of Hohenstaufen moved them to Waldburg Castle in Swabia.
Trifels Castle is also famous as the site where Richard the Lionheart, King of England was imprisoned after he was captured by Duke Leopold V of Austria near Vienna in December 1192 on his return from the Third Crusade. Handed over to Emperor Henry VI of Hohenstaufen, a period of three weeks of captivity at Trifels from 31 March to 19 April 1193 is well documented. According to one legend, Richard was found by the trobador Blondel de Nesle, who reported the king's location to his friends; in fact, Richard's location was not a secret.
Trifels Castle lost its importance with the Interregnum. After the fall of the Hohenstaufen dynasty, the castle was pledged several times. In 1330, it was mortgaged to the Electoral Palatinate. It finally fell to the Dukes of Palatinate-Simmern and Zweibrücken in 1410 and decayed after the Thirty Years' War. Deserted and derelict, the ruin served as a stone quarry, as a result of which the late-Romanesque residential building almost completely disappeared and the outer bailey for the most part.
From about 1840, the Wittelsbach kings of Bavaria had the castle rebuilt. After Ludwig I of Bavaria had reconstruction plans prepared by his court architect August von Voit already in 1851, Georg von Schacky made a reconstruction drawing in 1881 and the Trifels Association (founded in 1860) had carried out structural measures in 1882, in particular the erection of the great well arch, the Munich architect Rudolf Esterer designed a monumental rebuilding project following the model of south Italian Hohenstaufen castles, initiated by the Trifels Association and born by the cultural-political ideology of the Nazi epoch.
The Nazi era reconstruction in 1938-1942 and later reconstructions utilized in part the preserved walls from the Middle Ages or those found by archaeological investigations in 1935-1937, but also in many cases rigorously ignored the original medieval findings and created essentially an architectural reinterpretation of the 20th century.
The present-day castle is in large parts not true to the medieval original. It is characterized by a large well tower outside the ring wall, linked to the castle by a bridge. The surrounding rocky landscape is a popular venue for mountaineers.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.