The Château de Largoët, also known as the Tours d'Elven (Elven Towers), is mentioned for the first time in 1020, belonging to the baron of Elven, Derrien I. The present building was constructed between the 13th and 15th centuries. The manor became the property of the Malestroit family in the 13th century. The houses of Blois and Montfort fought for it during the Breton War of Succession, before it came to the Rieux family in the 15th century. It was during this period (between 1474 and 1476) that Jean IV, lord of Rieux, protected Henry Tudor, Duke of Richmond, future King Henry VII of England. In 1490, Charles VIII of France, dismantled the castle, but it was restored under the influence of Anne de Bretagne.
Nicolas Fouquet bought it in 1656 and, after his death, it was sold to Michel de Trémeurec and stayed in his family. In the 19th century, it was proposed to demolish Largoët, given its dilapidation, but it was saved thanks to Prosper Mérimée, who had it classed as a monument historique in 1862. Beginning in the 1970s, there has been a programme of restoration.
The ruins of Largoët maintain their imposing aspect, notably because of the 14th century octagonal keep. At 45 m, it is one of the highest in France. There are five floors and the walls are between 6 and 10 m thick. On the sixth or seventh floor is the room where Henry Tudor stayed.
As well as this colossal edifice, Largoët also boasts a 15th-century gatehouse and a round tower of three storeys, from the 15th century, with cannon openings on the first level, and covered with a hexagonal building. It was furnished in the 20th century as a hunting lodge. The remains of the enclosing walls, dried up moats and a lake also exists.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.