Carnac stones are an exceptionally dense collection of megalithic sites around the village of Carnac, consisting of alignments, dolmens, tumuli and single menhirs. More than 3,000 prehistoric standing stones were hewn from local rock and erected by the pre-Celtic people of Brittany, and are the largest such collection in the world. Most of the stones are within the Breton village of Carnac, but some to the east are within La Trinité-sur-Mer. The stones were erected at some stage during the Neolithic period, probably around 3300 BC, but some may date to as old as 4500 BC.
Although the stones date from 4500 BC, modern myths were formed which resulted from 1st century AD Roman and later Christian occupations, such as Saint Cornelius – a Christian myth associated with the stones held that they were pagan soldiers in pursuit of Pope Cornelius when he turned them to stone. Brittany has its own local versions of the Arthurian cycle. Local tradition claims that the reason they stand in such perfectly straight lines is that they are a Roman legion turned to stone by Merlin.
In recent centuries, many of the sites have been neglected, with reports of dolmens being used as sheep shelters, chicken sheds or even ovens. Even more commonly, stones have been removed to make way for roads, or as building materials. The continuing management of the sites remains a controversial topic.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.