Château de Josselin was built in the 11th century and rebuilt at various times since. Guéthénoc, vicomte of Porhoët, Rohan and Guéméné, began to build the first castle on the site around the year 1008, choosing a rocky promontory overlooking the valley of the Oust. The site chosen for the castle was excellent from both the commercial and the military points of view, and since the 9th century there had also existed an annual pilgrimage in September to the Basilica of Our Lady of the Bramble (Notre-Dame du Roncier), which added greatly to the wealth of the lords and people of Josselin.
In 1154, Odo, Viscount of Porhoet, step-father, guardian and regent of the young Conan IV, Duke of Brittany, collected the Breton lords to deprive Conan of his inheritance, but was defeated by Henry II of England, who was also Duke of Anjou, whose protection Conan had sought. Henry married his fourth son, Geoffrey, to Conan's only child, Constance, Duchess of Brittany, and Henry and his son pulled Josselin Castle down in 1168 and 1175. Henry II himself led the demolition and sowed salt into the ruins.
During the Breton War of Succession (1341-1364), the garrison of Josselin fought inconclusively the defenders of the nearby Castle of Ploërmel. To break the impasse, the Battle of the Thirty was arranged, contested by thirty knights from each side, and took place on 26 March 1351 halfway between the two places. The men of Josselin defeated the champions of Ploërmel, who consisted of four Bretons, six Germans, and twenty Englishmen.
In 1370 the Breton soldier Olivier de Clisson (1336-1407), later Constable of France, acquired the lordship of Josselin and built an imposing new fortress with eight towers and a keep one hundred yards across. He married his daughter Beatrice to Alain VIII of Rohan, heir to the viscounts of Rohan, whose own castle was not far away. The castle now boasts an equestrian statue of Olivier de Clisson.
In 1488 Francis II, Duke of Brittany, took the castle and partially demolished it. His daughter, Anne of Brittany, restored it to Jean II of Rohan, a great-grandson of Olivier de Clisson, who transformed the property and built a noble new house with a fine granite facade, an early example of Renaissance architecture, importing Italian artists and artisans. In recognition of his patroness Anne, sovereign Duchess of Brittany and Queen Consort of France, Rohan added to the facade at several points the sculpted letter A beneath a cord, her badge.
Banned from Josselin due to their Protestantism, René II, Viscount of Rohan and the other Rohan men could not prevent the Duke of Mercœur, then Governor of Brittany, from turning their castle into a base for the Catholic League in its struggles against Henry IV of France.
In 1603, after being advanced by Henry IV to a dukedom, Henry, Duke of Rohan, one of the leaders of the insurgent Huguenots, transferred his military headquarters to his Castle of Pontivy. In 1629, Cardinal Richelieu dismantled the keep and four of the towers at Josselin. In the 18th century, the castle was no longer occupied as a seat of power, and during the years of the French Revolution and the First French Empire it became a prison and warehouse. In 1822, Caroline, Duchess of Berry, persuaded the then Duke of Rohan, Louis François de Rohan-Chabot, to restore it.
The Antechamber of the castle contains a marble bust of the 13th Duke, Alain Louis Auguste de Rohan-Chabot, sculpted in 1910 by Auguste Rodin. The Castle is still a residence of Josselin de Rohan, fourteenth Duke of Rohan.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.