The church of Muhos was completed in 1634 and is the third church in the parish. Muhos church is the oldest wooden church in Finland, which has been preserved almost in its original shape. It is built in the form of a rectangular basilica, a so called buttress church. Torninrakentaja-Hannu (Hannu the Tower Builder) is regarded as the builder of the church. There are 500 seats in the church.
The pulpit was built by Mikael Sigfridsson Balt, a carpenter and a sculptor, late in the seventeenth century. On the canopy there stand two angels dressed in white playing trombones and between the angels there is the Saviour with a flag of victory and the globe in his hands. It is assumed that these sculptures are a booty from Germany during the Thirty Year´s War (1618-48). A dove, the symbol of the holy spirit, is hanging from the canopy of the pulpit.
In the 1762 the church was completely renovated and the belfry was built under the guidance of Matti Honka, a famous church builder. The belfry represents the Ostrobothnian Renaissance style. There are two church bells. The bigger one was cast in Stockholm 1757 and the smaller in Helsinki 1885.
During the period of 1773-75 the church was illustrated with paintings of biblical motifs by Emanuel Granberg, a church painter, who was born in Vihanti. When the windows were enlarged and increased in number in 1839, some of the wall paintings in the church hall were destroyed. The ones that survived were covered later with boarding. Some of Granberg´s paintings have been preserved to the present day on the walls of the sacristy and on the gallery balustrade, where from left to right the prophets Ezekiel, Isaiah, Hosea, Jeremiah and Daniel are depicted.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.