The church of Muhos was completed in 1634 and is the third church in the parish. Muhos church is the oldest wooden church in Finland, which has been preserved almost in its original shape. It is built in the form of a rectangular basilica, a so called buttress church. Torninrakentaja-Hannu (Hannu the Tower Builder) is regarded as the builder of the church. There are 500 seats in the church.
The pulpit was built by Mikael Sigfridsson Balt, a carpenter and a sculptor, late in the seventeenth century. On the canopy there stand two angels dressed in white playing trombones and between the angels there is the Saviour with a flag of victory and the globe in his hands. It is assumed that these sculptures are a booty from Germany during the Thirty Year´s War (1618-48). A dove, the symbol of the holy spirit, is hanging from the canopy of the pulpit.
In the 1762 the church was completely renovated and the belfry was built under the guidance of Matti Honka, a famous church builder. The belfry represents the Ostrobothnian Renaissance style. There are two church bells. The bigger one was cast in Stockholm 1757 and the smaller in Helsinki 1885.
During the period of 1773-75 the church was illustrated with paintings of biblical motifs by Emanuel Granberg, a church painter, who was born in Vihanti. When the windows were enlarged and increased in number in 1839, some of the wall paintings in the church hall were destroyed. The ones that survived were covered later with boarding. Some of Granberg´s paintings have been preserved to the present day on the walls of the sacristy and on the gallery balustrade, where from left to right the prophets Ezekiel, Isaiah, Hosea, Jeremiah and Daniel are depicted.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.