History of Finland between 1611 - 1721
In 1611-1632 Sweden was ruled by King Gustavus Adolphus, whose military reforms transformed the Swedish army from a peasant militia into an efficient fighting machine, possibly the best in Europe. The conquest of Livonia was now completed, and some territories were taken from internally divided Russia in the Treaty of Stolbova. In 1630, the Swedish (and Finnish) armies marched into Central Europe, as Sweden had decided to take part in the great struggle between Protestant and Catholic forces in Germany, known as the Thirty Years' War. The Finnish light cavalry was known as the Hakkapeliitat.
After the Peace of Westphalia in 1648, the Swedish Empire was one of the most powerful countries in Europe. During the war, several important reforms had been made in Finland:
However, the high taxation, continuing wars and the cold climate (the Little Ice Age) made the Imperial era of Sweden rather gloomy times for Finnish peasants. In 1655–1660, the Northern Wars were fought, taking Finnish soldiers to the battle-fields of Livonia, Poland and Denmark. In 1676, the political system of Sweden was transformed into an absolute monarchy.
In Middle and Eastern Finland, great amounts of tar were produced for export. European nations needed this material for the maintenance of their fleets. According to some theories, the spirit of early capitalism in the tar-producing province of Ostrobothnia may have been the reason for the witch-hunt wave that happened in this region during the late 17th century. The people were developing more expectations and plans for the future, and when these were not realized, they were quick to blame witches – according to a belief system the Lutheran church had imported from Germany.
The Empire had a colony in the New World in the modern-day Delaware-Pennsylvania area between 1638–1655. At least half of the immigrants were of Finnish origin.
The 17th century was an era of very strict Lutheran orthodoxy. In 1608, the law of Moses was declared the law of the land, in addition to secular legislation. Every subject of the realm was required to confess the Lutheran faith and church attendance was mandatory. Ecclesiastical penalties were widely used. The rigorous requirements of orthodoxy were revealed in the dismissal of the Bishop of Turku, Johan Terserus, who wrote a catechism which was decreed heretical in 1664 by the theologians of the Academy of Åbo. On the other hand, the Lutheran requirement of the individual study of Bible prompted the first attempts at wide-scale education. The church required from each person a degree of literacy sufficient to read the basic texts of the Lutheran faith. Although the requirements could be fulfilled by learning the texts by heart, also the skill of reading became known among the population.
In 1696-1699, a famine caused by climate decimated Finland. A combination of an early frost, the freezing temperatures preventing grain from reaching Finnish ports, and a lackluster response from the Swedish government saw about one-third of the population die. Soon afterwards, another war determining Finland's fate began (the Great Northern War of 1700-1721).
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.