The Abbey of Innichen was founded in the 8th century and rebuilt in the 12th–13th centuries. Its collegiate church is considered the most important Romanesque building in Tyrol and the Eastern Alps and, it is home to a 13th-century sculpture and a fresco cycle from the same age in the dome.
The original abbey was founded in 769, when Tassilo III, duke of Bavaria gave to abbot Atto von Scharnitz some lands going from the current Monguelf to Abfaltersbach, provided that a Benedictine convent would be founded here, to convert the Pagan Slavs who had settled in the area. Of this original construction, however, no certain traces have been found.
The church was entirely rebuilt from 1140: of this edifice today the external walls, the piers, the apses and the crypt remain. A second reconstruction was carried out from around 1240, when the vaults of the crypt and the nave, the transept and the dome at the crossing were added, including the frescoes with the History of Creation. The large bell tower was built later, from 1323 to 1326.
The church has a simple façade, in crude stone blocks. Over the central portal are two small mullioned windows, surmounted by a small frame dividing the façade in two and a rose window. On the left is the massive bell tower, also in stone, with a square plane: each of the sides has a row of thin mullioned windows, except for the top floors, which have a larger single- and double- mullioned windows. The top is pyramidal in shape.
The rear area is more complex. The crossing is the background of a descending sequence of blocks, started by the presbytery, and followed by the nave's apse, the roofs of the aisles' apses and finally the apses themselves. Another block on the left is the sacristy. The apses' exterior is decorated by Lombard bands.
On the right side are a pilaster-shaped tabernacle, frescoed in the 15th century, and the Museum of the Collegiate.
The interior has a nave and two aisles, the latter smaller in height, with a transept, a presbytery and three aisles. At the crossing is a crypt. This houses a 13th-century wooden sculpture portraying on the two patron saints of the church.
The dome is frescoed with the Stories of Creation, painted in the 13th century.References:
Montparnasse Cemetery was created from three farms in 1824. Cemeteries had been banned from Paris since the closure, owing to health concerns, of the Cimetière des Innocents in 1786. Several new cemeteries outside the precincts of the capital replaced all the internal Parisian ones in the early 19th century: Montmartre Cemetery in the north, Père Lachaise Cemetery in the east, and Montparnasse Cemetery in the south. At the heart of the city, and today sitting in the shadow of the Eiffel Tower, is Passy Cemetery.
Montparnasse cemetery is the burial place of many of France's intellectual and artistic elite as well as publishers and others who promoted the works of authors and artists. There are also many graves of foreigners who have made France their home, as well as monuments to police and firefighters killed in the line of duty in the city of Paris.
The cemetery is divided by Rue Émile Richard. The small section is usually referred to as the small cemetery (petit cimetière) and the large section as the big cemetery (grand cimetière).
Although Baudelaire is buried in this cemetery (division 6), there is also a cenotaph to him (between division 26 and 27). Because of the many notable people buried there, it is a highly popular tourist attraction.