The House of Nobility (Riddarhuset, “the House of Knights”) was built in 1641-1672 as a chamber of Estates of the Realm, and as such, a Swedish equivalent to the British House of Lords. After 1866, when the Riksdag of the Estates was replaced by the new parliament, the Swedish House of Nobility served as a quasi-official representation of the Swedish nobility, regulated by the Swedish government. Since 2003, it has been a private institution, which maintains records and acts as an interest group on behalf of the Swedish nobility, with the main purpose to maintain old traditions and culture.
The building design was started by the French-born architect Simon De la Vallée, but was killed by a Swedish nobleman in 1642. The plans were eventually finished by his son, Jean De la Vallée, in 1660. In the 18th century, the building was often used for public concerts. From 1731, public concerts were performed here by Kungliga Hovkapellet. The south end of the building carries the Latin inscription CLARIS MAIORUM EXEMPLIS, after the clear example of the forefathers, and holds a statue of Gustav II Adolph. North of the building is a park in which is a statue of Axel Oxenstierna. The architecture of the old main library in Turku, Finland was influenced by the Swedish House of Nobility.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.