The House of Nobility (Riddarhuset, “the House of Knights”) was built in 1641-1672 as a chamber of Estates of the Realm, and as such, a Swedish equivalent to the British House of Lords. After 1866, when the Riksdag of the Estates was replaced by the new parliament, the Swedish House of Nobility served as a quasi-official representation of the Swedish nobility, regulated by the Swedish government. Since 2003, it has been a private institution, which maintains records and acts as an interest group on behalf of the Swedish nobility, with the main purpose to maintain old traditions and culture.
The building design was started by the French-born architect Simon De la Vallée, but was killed by a Swedish nobleman in 1642. The plans were eventually finished by his son, Jean De la Vallée, in 1660. In the 18th century, the building was often used for public concerts. From 1731, public concerts were performed here by Kungliga Hovkapellet. The south end of the building carries the Latin inscription CLARIS MAIORUM EXEMPLIS, after the clear example of the forefathers, and holds a statue of Gustav II Adolph. North of the building is a park in which is a statue of Axel Oxenstierna. The architecture of the old main library in Turku, Finland was influenced by the Swedish House of Nobility.
References:The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.