Storkyrkan (Great Church, Stockholm Cathedral), officially Church of St. Nicholas, is the oldest church in Gamla Stan, the old town in central Stockholm. It was first mentioned in 1279 and according to tradition was originally built by Birger Jarl, the founder of the city itself. For nearly four hundred years it was the only parish church in the city, the other churches of comparible antiquity originally built to serve the spiritual needs religious communities (e. g., Riddarholm Church). It became a Lutheran Protestant church in 1527.
The parish church since the Middle Ages, covering the whole island on which the Old Town stands, it has also been the cathedral of Stockholm since the Diocese of Stockholm was created out of the Archdiocese of Uppsala and the Diocese of Strängnäs in 1942. Because of its convenient size and its proximity to the earlier royal castle and the present royal palace it has frequently been the site of major events in Swedish history, such as coronations, royal wedding and royal funerals. The last Swedish king to be crowned here was Oscar II in 1873. Crown Princess Victoria, oldest daughter of King Carl XVI Gustaf and Queen Silvia, was married to Daniel Westling on 19 June, 2010 at the Storkyrkan, the same date on which her parents were also married in Storkyrkan in 1976.
Inside the church the most famous artefact is the dramatic wooden statue of Saint George and the Dragon attributed to Bernt Notke (1489). The statue, commissioned to commemorate the Battle of Brunkeberg (1471), also serves as a reliquary, containing relics supposedly of Saint George and two other saints.
The church also contains a copy of the oldest known image of Stockholm, the painting Vädersolstavlan ("The Sun Dog Painting"), a 1632 copy of a lost original from 1535. The painting was commissioned by the scholar and reformer Olaus Petri, a 19th century statue of whom is found on the eastern side of the church. It depicts a halo display, e.g. sun dogs, which gives the painting its name and in the 16th century was interpreted as a presage.
The monumental pulpit is the work of Burchard Precht in 1698-1702 and is in a French Baroque style and became the model for a number of other large pulpits in Sweden. The relief on the front of the pulpit itself depicts the story of the Canaanite woman. The door of the pulpit is adorned with a relief of Christ's head, while, its pediment is crowned by a statue of Hope with putti on either side. Below the memorial are the arms of the Funck family who bore the greater cost of the pulpit. Beneath the pulpit and surrounded by an iron railing lies the worn gravestone of Olaus Petri.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.