The Stockholm City Museum documents and exhibits the history of Stockholm. It was opened to the public in 1942 and located in the palace completed in 1685. The museum is the largest municipal museum in Sweden, and houses collections which include 300,000 items of historical interest; 20,000 works of art and 3 million photographs.
The museum has two permanent exhibitions, one called "The Stockholm Exhibition - Based on a true story". The first part of the Stockholm exhibition was opened in 2010. It tells the history of Stockholm from the first sign of settlements until the future ideas of children. It is all about buildings, streets, parks and water as well as of the inhabitants who fills the city with life. At the exhibition you may also find a unique painting of Stockholm during the 17th century. The second part of "The Stockholm Exhibition" was opened in April 2011. It focuses on the later part of the history of Stockholm.
The other permanent exhibition "About houses - Architecture & building preservation in Stockholm" guides the visitor through different historical building styles and show examples from the end of last century until the 1970s. Among kitchen cabinets, wallpapers and door handles, you get knowledge of that which is typical of the times and in many cases worthy of preservation.
Aside from the permanent exhibition and the main exhibitions, the museum most often has a few smaller exhibitions open, such as photographic exhibitions.References:
The Abbey of Saint-Etienne, also known as Abbaye aux Hommes ('Men"s Abbey'), is a former monastery dedicated to Saint Stephen (Saint Étienne). It is considered, along with the neighbouring Abbaye aux Dames ('Ladies" Abbey'), to be one of the most notable Romanesque buildings in Normandy. Like all the major abbeys in Normandy, it was Benedictine.
Lanfranc, before being an Archbishop of Canterbury, was abbot of Saint-Etienne. Built in Caen stone during the 11th century, the two semi-completed churches stood for many decades in competition. An important feature added to both churches in about 1120 was the ribbed vault, used for the first time in France. The two abbey churches are considered forerunners of the Gothic architecture. The original Romanesque apse was replaced in 1166 by an early Gothic chevet, complete with rosette windows and flying buttresses. Nine towers and spires were added in the 13th century. The interior vaulting shows a similar progression, beginning with early sexpartite vaulting (using circular ribs) in the nave and progressing to quadipartite vaults (using pointed ribs) in the sanctuary.
The two monasteries were finally donated by William the Conqueror and his wife, Matilda of Flanders, as penalty for their marriage against the Pope"s ruling. William was buried here; Matilda was buried in the Abbaye aux Dames. Unfortunately William"s original tombstone of black marble, the same kind as Matilda"s in the Abbaye aux Dames, was destroyed by the Calvinist iconoclasts in the 16th century and his bones scattered.
As a consequence of the Wars of Religion, the high lantern tower in the middle of the church collapsed and was never rebuilt. The Benedictine abbey was suppressed during the French Revolution and the abbey church became a parish church. From 1804 to 1961, the abbey buildings accommodated a prestigious high school, the Lycée Malherbe. During the Normandy Landings in 1944, inhabitants of Caen found refuge in the church; on the rooftop there was a red cross, made with blood on a sheet, to show that it was a hospital (to avoid bombings).