Montauban Cathedral is the seat of the Bishopric of Montauban, created in 1317, abolished by the Concordat of 1801 and transferred to the Archdiocese of Toulouse, and restored in 1822.
The cathedral was Protestant from the start of the Wars of Religion until Catholicism returned to Montauban in 1629.
The construction of a new church, the present building, was agreed after the revocation of the Edict of Nantes in 1685. The cornerstone of the new cathedral was laid in 1692, and the church was consecrated in 1739. Initially, the architect François d'Orbay supervised the works. When he died in 1697, he was succeeded by Jules Hardouin-Mansart and Robert de Cotte.
The towers frame the west façade, a pure product that applies all the conventions of classical art, i.e. an Ionic facade with a peristyle mounted by statues of the Four Evangelists which replaced the original statues. The interior is decorated with pilasters, metopes and triglyphs, and the cathedral's strict and elegant vertical lines make it a masterpiece of classical architecture. A famous painting by Ingres, 'The Vow of Louis XIII', hangs in the north arm of the transept.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.