The Musée des Augustins is a fine arts museum in Toulouse which conserves a collection of sculpture and paintings from the Middle Ages to the early 20th century. The paintings are from throughout France, the sculptures representing Occitan culture of the region with a particularly rich assemblage of Romanesque sculpture.
The building in which the museum is sited was built in 1309 in the Gothic style and prior to the French Revolution housed Toulouse's Augustinian convent. The convent was secularized in 1793 and first opened to the public as a museum in 1795, making it one of the oldest museums in France after the Louvre.
The French schools of the 15th to 18th centuries are represented in the painting collection by Philippe de Champaigne, Louise Moillon, Valentin de Boulogne, Sébastien Bourdon etc, as well as painters from Toulouse and its region, such as Nicolas Tournier. Many French 19th- and 20th-century painting are also represented, with works by Toulouse-Lautrec, Ingres, Delacroix and Manet. The painting collection also includes works by Spanish, Dutch and Italian artists. The Italian holdings span from the 14th to the 18th century with works by Neri di Bicci, Lorenzo Monaco, Pietro Perugino, Jacopo Zucchi, Guido Reni, Guercino, Bernardo Strozzi, Baciccio, Carlo Maratta, Crespi, Francesco Solimena, Guardi. Flemish and Dutch painting is represented with paintings by Cornelis van Haarlem, Rubens, Anthony van Dyck, Jacob Jordaens, Jan van Goyen, Aelbert Cuyp, Pieter Coecke van Aelst and Cornelis van Poelenburgh while for Spain the museum notably displays one painting by Bartolomé Esteban Murillo.
The museum's sculpture collection is in large part due to the rescue activities of antiquaries and museum curators such as Alexandre du Mège who managed to extricate sculpture from the frequent destruction of religious buildings that marked the 19th century. It is particularly strong in 12th-century Romanesque sculpture from the city's three main religious buildings - the priory of Notre-Dame de la Daurade, the basilica of Saint-Sernin and the cathedral of Saint-Étienne. It also includes many 14th and 15th century locally-produced sculptures and eight 16th century terracotta figures from the chapelle de Rieux, built around 1340 in the couvent des Cordeliers, as well as gargoyles from the same convent. It also houses 19th century sculpture, with plaster works by Alexandre Falguière and his pupil Antonin Mercié, as well as works by Rodin and a bronze by Camille Claudel.
References:The Château de Chantilly comprises two attached buildings: the Petit Château built around 1560 for Anne de Montmorency, and the Grand Château, which was destroyed during the French Revolution and rebuilt in the 1870s. Owned by the Institut de France, the château houses the Musée Condé. It is one of the finest art galleries in France and is open to the public.
The estate"s connection with the Montmorency family began in 1484. The first mansion (now replaced by the Grand Château) was built in 1528–1531 for the Constable Anne de Montmorency by Pierre Chambiges. The Petit Château was also built for him, around 1560, probably by Jean Bullant. In 1632, after the death of Henri II, it passed to the Grand Condé who inherited it through his mother, Charlotte Marguerite de Montmorency.
Several interesting pieces of history are associated with the château during the 17th century.