Château de Durfort was erected on a rocky piton which overlooks the valley of the Orbieu. The present ruins are those of a strengthened habitat, including a chapel, dwellings with rectangular windows and a tower. High thick walls, cellars and wells, arched rooms of square buildings, corner turrets, watch towers and a main tower are still visible.
There is no documentary evidence for the initial construction of this fortress. The earliest written references mentioning the castle date from 1093.
After the Crusades against Cathars in the mid-13th century, the royal power confirmed its conquest of the region by building five large fortresses and a network of watch towers. The Château de Durfort was written into this defensive system, aimed at protecting the new frontiers of the Kingdom of France.
In 1659, Louis XIV signed the Treaty of the Pyrenees with the Kingdom of Spain. This treaty altered the borders, giving Roussillon to France. The frontier advanced to the crests of the Pyrenees and the various fortresses of the region lost their strategic importance. The Château de Durfort was, therefore, altered to make it more comfortable.
In the 18th century, the castle seems to have been abandoned but its isolated position served to preserve its ruins. Today, the castle is private property; it may be visited free of charge with prior authorisation from the owners. The building is not preserved or maintained; there is a risk of falling stones.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.