The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice. The former Accademia di Belle Arti di Venezia was founded in 1750. In 1807 the academy was re-founded by Napoleonic decree and moved to the Palladian complex of the Scuola della Carità, where the Gallerie dell'Accademia are still housed. The collections of the Accademia were first opened to the public in 1817.
The Gallerie dell’Accademia contains masterpieces of Venetian painting up to the 18th century, generally arranged chronologically though some thematic displays are evident.
The gallery contains masterpieces for example from Canaletto, Carpaccio, Tintoretto, Titian and Leonardo da Vinci (Drawing of Vitruvian Man).References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.