Santa Maria della Salute (Saint Mary of Health), commonly known simply as the Salute, stands on the narrow finger of Punta della Dogana, between the Grand Canal and the Giudecca Canal, making the church visible when entering the Piazza San Marco from the water. The Salute is part of the parish of the Gesuati and is the most recent of the so-called plague churches.
In 1630, Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city's deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health. The church was designed in the then fashionable baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631. Most of the objects of art housed in the church bear references to the Black Death.
The dome of the Salute was an important addition to the Venice skyline and soon became emblematic of the city, inspiring artists like Canaletto, J. M. W. Turner, John Singer Sargent, and the Venetian artist Francesco Guardi.
The Salute is a vast, octagonal building with two domes and a pair of picturesque bell-towers at the back. Built on a platform made of 1,000,000 wooden piles, it is constructed of Istrian stone and marmorino (brick covered with marble dust). At the apex of the pediment stands a statue of the Virgin Mary who presides over the church which was erected in her honour. The façade is decorated with figures of Saint George, Saint Theodore, the Evangelists, the Prophets, Judith with the head of Holofernes.References:
The Church of Our Lady before Týn is a dominant feature of the Old Town of Prague and has been the main church of this part of the city since the 14th century. The church's towers are 80 m high and topped by four small spires.
In the 11th century, this area was occupied by a Romanesque church, which was built there for foreign merchants coming to the nearby Týn Courtyard. Later it was replaced by an early Gothic Church of Our Lady before Týn in 1256. Construction of the present church began in the 14th century in the late Gothic style under the influence of Matthias of Arras and later Peter Parler. By the beginning of the 15th century, construction was almost complete; only the towers, the gable and roof were missing. The church was controlled by Hussites for two centuries, including John of Rokycan, future archbishop of Prague, who became the church's vicar in 1427. The roof was completed in the 1450s, while the gable and northern tower were completed shortly thereafter during the reign of George of Poděbrady (1453–1471). His sculpture was placed on the gable, below a huge golden chalice, the symbol of the Hussites. The southern tower was not completed until 1511, under architect Matěj Rejsek.
After the lost Battle of White Mountain (1620) began the era of harsh recatholicisation (part of the Counter-Reformation). Consequently, the sculptures of 'heretic king' George of Poděbrady and the chalice were removed in 1626 and replaced by a sculpture of the Virgin Mary, with a giant halo made from by melting down the chalice. In 1679 the church was struck by lightning, and the subsequent fire heavily damaged the old vault, which was later replaced by a lower baroque vault.
Renovation works carried out in 1876–1895 were later reversed during extensive exterior renovation works in the years 1973–1995. Interior renovation is still in progress.
The northern portal is a wonderful example of Gothic sculpture from the Parler workshop, with a relief depicting the Crucifixion. The main entrance is located on the church's western face, through a narrow passage between the houses in front of the church.
The early baroque altarpiece has paintings by Karel Škréta from around 1649. The oldest pipe organ in Prague stands inside this church. The organ was built in 1673 by Heinrich Mundt and is one of the most representative 17th-century organs in Europe.