Scuola Grande di San Rocco

Venice, Italy

The Scuola Grande di San Rocco is noted for its collection of paintings by Tintoretto, generally agreed to include some of his finest work.

In January 1515 the project of the building was entrusted to Bartolomeo Bon, although some authorities assign it to his son Pietro Bon. In 1524 his work was continued by Sante Lombardo, who, in turn, three years later was replaced by Antonio Scarpagnino. Following his death in 1549, the last architect to work on the edifice was Giangiacomo dei Grigi, finishing in September 1560.

In 1564 the painter Tintoretto was commissioned to provide paintings for the Scuola, and his most renowned works are to be found in the Sala dell'Albergo and the Sala Superiore. All the works in the building are by him, or his assistants, including his son Domenico: they were executed between 1564 and 1587. Works in the sala terra are in homage to the Virgin Mary, and concentrate on episodes from her life. In the sala superiore, works on the ceiling are from the Old Testament, and on the walls from the New Testament. Together, they show the biblical story from Fall to Redemption.

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Address

Calle Fianco de la Scuola 2471, Venice, Italy
See all sites in Venice

Details

Founded: 1515
Category: Palaces, manors and town halls in Italy

More Information

en.venezia.net
en.wikipedia.org
www.scuolagrandesanrocco.org

Rating

4.6/5 (based on Google user reviews)

Interesting Sites Nearby


Piazza San Marco (1,1 km)
St Mark's Basilica (1,2 km)
St Mark's Clocktower (1,1 km)
Doge's Palace (1,2 km)
Bridge of Sighs (1,2 km)
Museo Correr (1 km)
Rialto Bridge (0,8 km)
San Gregorio Church (0,9 km)
Gallerie dell'Accademia (0,6 km)


Palazzo della Ragione (35,3 km)
Prato della Valle (35,3 km)
University of Padua (35,1 km)
Palazzo dei Trecento (26,2 km)
Basilica of Saint Anthony of Padua (34,9 km)
Padua Synagogue (35,2 km)
Padua Botanical Garden (34,9 km)
Torcello Cathedral (10 km)
Scrovegni Chapel (34,9 km)

User Reviews

Jordan Modell (2 years ago)
Lower Your expectations and you'll be fine. It's really only one floor. But there are a lot of nice things to see on that floor. Not sure it was really worth €13 but it also felt good to contribute as it's a non-for profit
Don Lowe (2 years ago)
The Scuola Grande Din San Rocco is one of the most historical decorated building in Venice This place was build during the 16th century. this a two story building, But only 3 halls are allowed visit by public.
Jelena Lapickaja (2 years ago)
I was absolutely lucky to attend "Four Seasons" Vivaldi's concert in Venice. This was a unique opportunity to hear a beautiful Italian music in a building which walls heard real composers. Unbelievable, very intimate, if you will only have a chance, please use it and enjoy every minute of it.
Ault Nathanielsz (2 years ago)
Astonishingly large masterpieces by Tintoretto. The real goes are upstairs. Use one of the mirrors (provided for free) to really appreciate the work on the ceiling.
philippe michalik (3 years ago)
Awesome place, really amazing. The entrance fee is kinda expensive (10euros as of November 2018) but I found it really worth it! The paintings and sculptures are breathtaking and huge. Do it without hesitation. You are provided a little booklet explaining the different paintings, and you can grab some mirrors in order to easily look at the ceiling.
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The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.

The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).

With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).

Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.

The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.

The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.

Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.

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