Skogskyrkogården

Stockholm, Sweden

Skogskyrkogården (“The Woodland Cemetery”) is a cemetery founded in 1917. Its design reflects the development of architecture from national romantic style to mature functionalism. Skogskyrkogården came about following an international competition in 1915 for the design of a new cemetery in Enskede. The design of the young architects Gunnar Asplund and Sigurd Lewerentz was selected. Work began in 1917 on land that had been old gravel quarries that were overgrown with pine trees and was completed three years later. The architects' use of the natural landscape created an extraordinary environment of tranquil beauty that had a profound influence on cemetery design throughout the world.

The crematorium, with its remarkable Faith, Hope, and Holy Cross Chapels was Gunnar Asplund's final work of architecture, opened shortly before his passing in 1940. In 1994, Skogskyrkogården was named a UNESCO World Heritage Site. At the Tallum Pavilion, visitors can see an exhibition about the cemetery and the story of its origins and the two architects whose vision created it.

References:

Comments

Your name

Website (optional)



Rating

4.6/5 (based on Google user reviews)

User Reviews

Chia-Lun Wu (16 months ago)
Big park and nice view.
Tristan Pollock (2 years ago)
Incredibly beautiful and serene land. You can walk quietly through the woods, hills and architecture in a way that is thoughtful to the human eye and ear. Pay attention to every sense and do a walking meditation as you discover this stunning final resting place.
Anna-Maria Zowal (2 years ago)
Quiet, peaceful, graceful. Well persevered and well taken care of. Worth seeing, definitely. It force you to stop and think...
Nils Höhmann (2 years ago)
There's a reason this particular cemetery became a UNESCO world heritage site. It was the first cemetery of its kind. Not only where to store the dead - it was built first and foremost for us still living. Visit. Feel it.
Jason Wheeler (2 years ago)
Wonderful that they have gone to so much effort to preserve this final resting place for most people of Stockholm. Its massive and world heritage listed.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Garden Kingdom of Dessau-Wörlitz

The Garden Kingdom of Dessau-Wörlitz, located in Saxony-Anhalt in the Middle Elbe Region, is an exceptional example of landscape design and planning from the Age of the Enlightenment in the 18th century. Its diverse components – the outstanding buildings, English-style landscaped parks and gardens, and subtly modified expanses of agricultural land – served aesthetic, educational, and economic purposes in an exemplary manner.

The grounds, which had been divided into four parts since the constructions of a railway line and the Bundesautobahn 9 in the 1930s, were designated a World Heritage Site by UNESCO in 2000.

For Prince Leopold III Friedrich Franz of Anhalt-Dessau (1740-1817) and his friend and adviser Friedrich Wilhelm von Erdmannsdorff (1736-1800), the study of landscape gardens in England and ancient buildings in Italy during several tours was the impetus for their own creative programme in the little principality by the rivers Elbe and Mulde. As a result, the first landscape garden in continental Europe was created here, with Wörlitz as its focus. Over a period of forty years a network of visual and stylistic relationships was developed with other landscape gardens in the region, leading to the creation of a garden landscape on a unique scale in Europe. In the making of this landscape, the designers strove to go beyond the mere copying of garden scenery and buildings from other sites, but instead to generate a synthesis of a wide range of artistic relationships. Among new and characteristic components of this garden landscape was the integration of a didactic element, arising from the philosophy of Jean-Jacques Rousseau (1712-1778), the thinking of Johann Joachim Winckelmann (1717-1768), and the aesthetics of Johann Georg Sulzer (1720-1779). The notion of public access to the buildings and grounds was a reflection of the pedagogic concept of the humanisation of society.

Proceeding from the idea of the ferme ornée, agriculture as the basis for everyday life found its place in the garden landscape. In a Rousseauian sense, agriculture also had to perform a pedagogic function in Anhalt-Dessau. Through the deliberate demonstration of new farming methods in the landscape garden, developments in Anhalt-Dessau were not merely theoretical, but a practical demonstration of their models in England. It is noteworthy that these objectives - the integration of aesthetics and education into the landscape – were implemented with outstanding artistic quality. Thus, for instance, the buildings of Friedrich Wilhelm von Erdmannsdorff provided important models for the architectural development of Germany and central Europe. Schloss Wörlitz (1769-73) was the first Neoclassical building in German architectural history. The Gothic House (from 1774) was a decisive influence on the development of Gothic Revival architecture in central Europe. Here, for the first time, the Gothic style was used to carry a political message, namely the desire for the retention of sovereignty among the smaller Imperial territories. The churches in Riesigk (1800), Wörlitz (1804-09), and Vockerode (1810-11) were the first Neoclassical, ecclesiastical buildings in Germany, their towers enlivening the marshland, floodplain landscape in which they served as waymarkers. In parts of the Baroque park of Oranienbaum, an Anglo-Chinese garden was laid out, now the sole surviving example in Europe of such a garden in its original form from the period before 1800. The development of stylistic eclecticism in the 19th century had its roots in the closing years of the 18th century.

Another feature of the landscape is the integration of new technological achievements, such as the building of bridges, an expression of a continuing quest for modernity. Through the conscious incorporation of the older layouts at Oranienbaum and Mosigkau into a pantheon of styles, the landscape became an architectural encyclopaedia featuring examples from ancient times to the latest developments. Nowhere else in Germany or Europe had a prince brought such an all-embracing and extensive programme of landscape reform into being, particularly one so deeply rooted in philosophical and educational theory. With the unique density of its landscape of monuments, the Garden Kingdom of Dessau-Wörlitz is an expression of the enlightened outlook of the court at Dessau, in which the landscape became the idealised world of its day.

Through the conscious and structured incorporation of economic, technological, and functional buildings and parks into the artistically designed landscape, the Garden Kingdom of Dessau-Wörlitz became an important concourse of ideas, in that it facilitated the convergence of 18th century grandeur of design with the beginnings of 19th century industrial society. The reforming outlook of this period brought about a huge diversity of change in the garden layout, and this legacy can still be experienced today.