Villa Foscari is designed by the Italian architect Andrea Palladio. It is also known as La Malcontenta, a nickname which it received when the spouse of one of the Foscaris was locked up in the house because she allegedly didn't live up to her conjugal duty.
The villa was commissioned by the brothers Nicolo and Luigi Foscari, members of a patrician Venetian family that produced Francesco Foscari, one of Venice's most noted doges. It was built between 1558 and 1560. It is located beside the Brenta canal and is raised on a pedestal, which is characteristic of Palladio's villas; this pedestal is more massive than most of Palladio's villas because it was not possible to construct a subterranean basement on the site.
The villa lacks the agricultural buildings which were an integral part of some of the other Palladian villas. It was used for official receptions, such as that given for Henry III of France in 1574.
The interior of the villa is richly decorated with frescoes by Battista Franco and Giambattista Zelotti. Mythological scenes from Ovid alternate with allegories of the Arts and Virtues. As at other Palladian villas, the paintings reflect villa life in, for example, Astraea showing Jove the pleasures of the Earth. The frescoes have dulled over time, signs of the increasing threat that air pollution poses to works of art.
In 1973, Antonio Foscari (a descendant of the Foscari lineage) and his wife, Barbara del Vicario, recovered the villa, and have undertaken a painstaking process of restoring the villa to its original grandeur.
Since 1996 the building has been conserved as part of the World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto'. Today, the villa is open to the public for visits on a limited basis.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.