Andrea Palladio Architecture

San Pietro di Castello

The present Basilica of San Pietro di Castello building dates from the 16th century, but a church has stood on the site since at least the 7th century. From 1451 to 1807, it was the city's cathedral church, though hardly playing the usual dominant role of a cathedral, as it was overshadowed by the 'state church' of San Marco, and inconveniently located. During its history the church has undergone a number of alterations ...
Founded: 7th century | Location: Venice, Italy

San Giorgio Maggiore Church

San Giorgio Maggiore is a 16th-century Benedictine church on the island of the same name in Venice, designed by Andrea Palladio, and built between 1566 and 1610. The church is a basilica in the classical renaissance style and its brilliant white marble gleams above the blue water of the lagoon opposite the Piazzetta and forms the focal point of the view from every part of the Riva degli Schiavoni. The first church on the ...
Founded: 1565 | Location: Venice, Italy

Villa Chiericati

Villa Chiericati was designed for Giovanni Chiericati by the architect Andrea Palladio in the early 1550s. In 1996 UNESCO included the villa in the World Heritage Site City of Vicenza and the Palladian Villas of the Veneto. The villa is square and a portico projects from its principal facade. The principal rooms are built upon a piano nobile above a semi-basement. The upper floor is very much of secondary importance. The ...
Founded: 1550s | Location: Vancimuglio, Italy

Villa La Rotonda

Villa La Rotonda is a Renaissance villa just outside Vicenza, designed by Andrea Palladio. Along with other works by Palladio, the building is conserved as part of the UNESCO World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto'. In 1565 a priest, Paolo Almerico, on his retirement from the Vatican, decided to return to his home town of Vicenza and build a country house. Building began in ...
Founded: 1567 | Location: Vicenza, Italy

Il Redentore

The Non Basilica del Santissimo Redentore, commonly known as Il Redentore, dominates the skyline of the island of Giudecca. It was built as a votive church in thanksgiving for deliverance from a major outbreak of the plague that decimated Venice between 1575 and 1576, in which some 46,000 people (25–30% of the population) died. The Senate of the Republic of Venice commissioned the architect Andrea Palladio to design t ...
Founded: 1577-1592 | Location: Venice, Italy

Villa Poiana

Villa Pojana or Poiana was designed by the Renaissance architect Andrea Palladio. It is conserved as part of a UNESCO World Heritage Site, 'City of Vicenza and the Palladian Villas of the Veneto'. The Villa Pojana was built in the years 1548-1549 for Bonifacio Pojana. Bonifacio"s military background is expressed on the one hand by the severity and austere purity of the architecture and on the other hand by ...
Founded: 1548-1549 | Location: Poiana Maggiore, Italy

Villa Porto

Villa Porto was designed in 1554 and traditionally attributed to the Italian architect Andrea Palladio, but not included by UNESCO in the strict list of Palladian Villas of Veneto In 1554, Paolo Porto and his brothers divided up their father’s inheritance, Paolo acquiring an estate at Vivaro, north of Vicenza. Here, during the subsequent four years, he realised a villa which tradition holds was designed by Palladio. Th ...
Founded: 1554 | Location: Dueville, Italy

Teatro Olimpico

The Teatro Olimpico ('Olympic Theatre') was constructed in 1580-1585. The theatre was the final design by the Italian Renaissance architect Andrea Palladio and was not completed until after his death. The trompe-l"œil onstage scenery, designed by Vincenzo Scamozzi, to give the appearance of long streets receding to a distant horizon, was installed in 1585 for the very first performance held in the theatre, ...
Founded: 1580-1585 | Location: Vicenza, Italy

Villa Thiene

Villa Thiene is a 16th-century villa at Quinto Vicentino. The building as it stands today is the work of several architects one of whom was Andrea Palladio. Like several other projects on which Palladio worked, it was commissioned by two brothers, in this case Marcantonio and Adriano Thiene. Since 1996, the villa has been conserved as part of a World Heritage Site, the 'City of Vicenza and the Palladian Villas of the ...
Founded: 1540s | Location: Quinto Vicentino, Italy

Palazzo del Capitaniato

The palazzo del Capitaniato was designed by Andrea Palladio in 1565 and built between 1571 and 1572. The palazzo is currently used by the town council. It was decorated by Lorenzo Rubini and, in the interior, with frescoes by Giovanni Antonio Fasolo. Since 1994 the palace has been part of the UNESCO World Heritage Site of the 'City of Vicenza and the Palladian Villas of the Veneto'. The Palladian loggia replace ...
Founded: 1571-1572 | Location: Vicenza, Italy

Villa Caldogno

Villa Caldogno is attributed to Andrea Palladio. It was built for the aristocratic Caldogno family on their estate in the village of Caldogno near Vicenza. A Latin inscription on the facade dates the completion of the building to 1570 when it belonged to Angelo Caldogno. However, Angelo"s father, Losco Caldogno, appears to have started to build in the 1540s, probably incorporating walls from a pre-existing building. ...
Founded: 1570 | Location: Caldogno, Italy

Villa Barbaro

Villa Barbaro, also known as the Villa di Maser, was designed and built by the Italian architect Andrea Palladio, with frescos by Paolo Veronese and sculptures by Alessandro Vittoria for Daniele Barbaro. The villa was probably built between 1558 and 1570. After the Barbaro family died out, the villa passed through the female line into the ownership of the Trevisan and then the Basadonna families, followed by the Manin. L ...
Founded: 1558-1570 | Location: Maser, Italy

Palazzo Chiericati

The Palazzo Chiericati is a Renaissance palace in Vicenza, designed by Andrea Palladio for the Count Girolamo Chiericati. The architect started building the palace in 1550, and some further work was completed under the patronage of Chiericati"s son, Valerio. However, the palazzo was not fully finished until about 1680, possibly by Carlo Borella. The palazzo was built in an area called which housed the wood and catt ...
Founded: 1550-1680 | Location: Vicenza, Italy

Villa Trissino

Villa Trissino was mainly built in the 16th century and is associated by tradition with the architect Andrea Palladio. The building is of undeniable importance in the Palladio 'mythos'. Since 1994 the villa has been part of a World Heritage Site which was designated to protect the Palladian buildings of Vicenza and Veneto area. It is uncertain whether this villa was designed by Palladio, but it is one of the ce ...
Founded: 1530s | Location: Vicenza, Italy

Villa Foscari

Villa Foscari is designed by the Italian architect Andrea Palladio. It is also known as La Malcontenta, a nickname which it received when the spouse of one of the Foscaris was locked up in the house because she allegedly didn"t live up to her conjugal duty. The villa was commissioned by the brothers Nicolo and Luigi Foscari, members of a patrician Venetian family that produced Francesco Foscari, one of Venice"s ...
Founded: 1558-1560 | Location: Mira, Italy

Villa Pisani

Villa Pisani was designed by Andrea Palladio about 1552, for Cardinal Francesco Pisani. Pisani was also a patron of the painters Paolo Veronese and Giambattista Maganza and the sculptor Alessandro Vittoria, who provided sculptures of the Four Seasons for the villa, which is in fact provided with fireplaces to dispel winter chill. Construction of the villa was under way by 1553, and it was completed in 1555. The central b ...
Founded: 1553-1555 | Location: Montagnana, Italy

Villa Piovene

Villa Piovene was commissioned in the 16th century for the aristocratic Venetian Piovene family, their architect believed to have been Andrea Palladio. It is part of the World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto' since 1996. Villa Piovene was built around 1539–40 in competition to and within the immediate vicinity of Villa Godi, which rises only a few hundred metres. Rivalrie ...
Founded: 1539 | Location: Lugo di Vicenza, Italy

Villa Valmarana

The Villa Valmarana (also known as Valmarana Scagnolari Zen) is a Renaissance villa situated in Lisiera, a locality of Bolzano Vicentino. Designed by Andrea Palladio, it was originally built in the 1560s. The villa was nearly totally destroyed during World War II, but has been rebuilt. Even before the war damage, the building did not closely resemble the plan which Palladio published in his I Quattro Libri dell"Arch ...
Founded: 1560s | Location: Bolzano Vicentino, Italy

Villa Godi

Villa Godi was one of the first projects by Andrea Palladio. The work was commissioned by the brothers Girolamo, Pietro and Marcantonio Godi, started in 1537 and concluded in 1542, with later modifications to the rear entry and gardens. The villa has been designated by UNESCO as part of the World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto'. The villa and extensive gardens are open to ...
Founded: 1537-1542 | Location: Lugo di Vicenza, Italy

Villa Pisani

The Villa Pisani is a patrician villa designed by Andrea Palladio, located in Bagnolo, a hamlet in the comune of Lonigo. The Pisani were a rich family of Venetian nobles who owned several Villas Pisani, two of them designed by Andrea Palladio. The villa at Bagnolo was built in the 1540s and represents Palladio"s first villa designed for a patrician family of Venice (his earlier villa commissions were from provincial ...
Founded: 1540s | Location: Lonigo, Italy

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King's Garden, the Island Garden, Parterre Garden and the Prince's Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.