Villa Cornaro was designed by the Italian Renaissance architect Andrea Palladio in 1552 and is illustrated and described by him in Book Two of his 1570 masterwork, I Quattro Libri dell'Architettura.
Villa Cornaro was mainly constructed in 1553-1554, with additional work into the 1590s, after Palladio had died, for Giorgio Cornaro, younger son of a wealthy family. It represents one of the most exemplary examples of a Renaissance villa during this time frame. The north façade has an innovative projecting central portico-loggia that is a flexible living space out of the sun and open to cooling breezes.
The interior space is a harmonious arrangement of the strictly symmetrical floor plans on which Palladio insisted without exception. Rooms of inter-related proportions composed of squares and rectangles flank a central axial vista which extends through the house. As Rudolph Wittkower noted, by moving subsidiary staircases into the projecting wings and filling matching corner spaces with paired oval principal stairs, space was left for a central salone which is fully as wide as the porticos. The central core of the villa forms a rectangle in which there are six repetitions of an elegant standard module. The interior has 18th-century frescos by Mattia Bortoloni and stuccos by Camillo Mariani.
Through its illustration in Palladio's I Quattro Libri dell'Architettura, in the 18th century Villa Cornaro became a model for villas all over the world.
The villa is owned by Carl and Sally Gable, of Atlanta, Georgia. Since 1996 the villa has been conserved as part of a World Heritage Site, 'City of Vicenza and the Palladian Villas of the Veneto'.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.