Great Copper Mountain (Stora Kopparberg) was a mine that operated for a millennium from the 10th century to 1992. It produced as much as two thirds of Europe's copper needs and helped fund many of Sweden's wars in the 17th century. Technological developments at the mine had a profound influence on mining globally for two centuries. Since 2001 it has been designated a UNESCO World Heritage Site as well as a museum.
Archaeological and geological studies indicate, with considerable uncertainty, that mining operations started sometime around the year 1000. Objects from the 10th century have been found containing copper from the mine. In the beginning, operations were of a small scale, with local farmers gathering ore,smelting it, and using the metal for household needs. Around the time of Magnus III of Sweden, King of Sweden from 1275 to 1290, a more professional operation began to take place. Nobles and foreign merchants from Lübeck had taken over from farmers. The merchants transported and sold the copper in Europe, but also influenced the operations and developed the methods and technology used for mining. The first written document about the mine is from 1288. It records that, in exchange for an estate, the Bishop of Västerås acquired a 12.5% interest in the mine. By the mid 14th century, the mine had grown into a vital national resource and a large part of the revenues for the Swedish state in the coming centuries would be from the mine. The then King, Magnus IV of Sweden, visited the area personally and drafted a charter for mining operations, ensuring the financial interest of the sovereign.
In the 17th century, production capacity peaked. During this time, the output from the mine was used to fund expansionary politics of Sweden during its great power era. The Privy Council of Sweden referred to the mine as the nation's treasury and stronghold. The point of maximum production occurred in 1650, with over 3,000 tonnes of copper produced.
Copper production was declining during the 18th century and the mining company began diversifying. It supplemented the copper extraction with iron and timber production. In 1881 gold was discovered in the Great Copper Mountain, resulting in a short-lived gold rush. But there was no escaping the fact that the mine was no longer economically viable. On December 8, 1992 the last shot was fired in the mine and all commercial mining ceased. Today the mine is owned by the Stora Kopparberget foundation which operates the museum and tours.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.