Drum Castle, Drumoak, United Kingdom

Drum Castle was for centuries the seat of Clan Irvine. The original 13th-century tower of Drum Castle has been suggested as the work of medieval architect Richard Cementarius, who built the Bridge of Don in Old Aberdeen. It is believed to be one of the three oldest tower houses in Scotland (and notably unaltered). A large wing was added in 1619 by the 9th laird, and further alterations were made during the Victorian era.

The castle and its grounds were granted to William de Irwyn in 1325 by Robert the Bruce, and remained in the possession of Clan Irvine until 1975. William de Irwyn was armour bearer/secretary to King Robert the Bruce. Drum played a role in the Covenanting Rebellion leading to its being attacked and sacked three times.

The castle is surrounded by late 18th-century gardens, including a rose garden and arboretum containing trees from all regions of the 18th century British Empire.

Today, the castle is owned by the National Trust for Scotland and is open during the summer months. The chapel, dining hall and estate may be hired for weddings and corporate functions. A variety of local events such as classic car rallies and musical fetes also occur here. There is also a small shop and tearoom within the castle.

References:

Wikipedia

User Reviews

EXA FROM THE ASHES (12 months ago)
We thoroughly enjoyed exploring this castle. The hot tea and crumpets were delicious as well. I love how the history seaps into one's body. The gardens are simply delightful.

Christine Bell (13 months ago)
I really enjoyed my visit to Drum. The guide presented background information in a well informed and interactive way. Would have liked to wander in the grounds but prevented because of the weather. Would recommend a visit.

Cyclizine (14 months ago)
Fine for a gentle stroll around the grounds. Good kids' play area too!

Gary Newell (16 months ago)
Drum Castle looks great from the outside and the tour inside starts off brilliantly with some fantastic paintings. The castle itself feels very grand. when you hit the second floor it becomes an art gallery with rooms full of photos (not in keeping with the feel of the castle but more at home in the Tate). The rooms are empty except for the photos on white walls. This takes away from the building's character The one way system then takes you back downstairs and you find yourself at the exit and the tour is finished with barely any of the castle explored. The huge tower you see in the photos has no access to it which is disappointing. A great looking castle and the first part of the tour is excellent but it fails off into something a little more disappointing for my taste.

Carlos Leyon Fernandez (16 months ago)
The castle is about a half hour drive from Aberdeen. It’s got a rose garden that’s worth visiting when the roses are in full bloom. There’s ample parking space and parking costs £3. There’s an entry fee for the castle as well. There are a few walks that take you around the estate. It’s a beautiful place to visit on a sunny day.

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The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.

The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.

According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.

The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.

The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.

With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.

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