The earliest parts of Fyvie Castle date from the 13th century – some sources claim it was built in 1211 by William the Lion. Fyvie was the site of an open-air court held by Robert the Bruce, and Charles I lived there as a child.
Following the Battle of Otterburn in 1390, it ceased to be a royal stronghold and instead fell into the possession of five successive families, each of whom added a new tower to the castle. The oldest of these, the Preston tower (located on the far right as one faces the main facade of Fyvie), dates to between 1390 and 1433. The impressive Seton tower forms the entrance, and was erected in 1599 by Alexander Seton; Seton also commissioned the great processional staircase several years later. The Gordon tower followed in 1778 , and the Leith in 1890.
Inside, the castle stronghold features a great wheel stair, a display of original arms and armour, and a collection of portraits.
Manus O'Cahan and Montrose fought a successful minor battle against the Covenant Army at Fyvie Castle on October 28, 1644.
Following Victorian trends, the grounds and adjoining Loch Fyvie were landscaped in the 19th century. The Scottish industrialist Alexander Leith (later Baron Leith of Fyvie) bought the castle in 1885. It was sold to the National Trust for Scotland in 1984 by his descendants. Today the castle is open to the public.
The castle (like many places in Scotland) is said to be haunted. A story is told that in 1920 during renovation work the skeleton of a woman was discovered behind a bedroom wall. On the day the remains were laid to rest in Fyvie cemetery, the castle residents started to be plagued by strange noises and unexplained happenings.References:
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.