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The first mention of Esslemont is as the 'manor of Eislemont' in the 14th century. The lands of Esslemont were passed by marriage from the family of Mareschal by marriage of the heiress Janet to Francis le Chen of Straloch in the 14th century. After the castle was burnt in 1493, Henry Cheyne undertook re-building via a king's licence dated 1500. In 1564 Patrick Cheyne was created baron of Esslemont by Queen Mary, who stayed here during her campaign against the Earl of Huntly, and a fortalice and tower were recorded in 1575–1576.
The castle was then destroyed as the result of a feud between the Cheynes and the Hays. The name of the lands, now as 'Essilmounthe', appears in Scottish records in 1609.
The castle ceased to be regularly occupied in 1625, when the estate passed to the Errol family. In 1728 it became the property of Robert Gordon and may have been partially occupied till 1769, when the existing mansion, Esslemont House, was erected in its vicinity.
The castle is roofless and missing large sections of wall which were reused in building sites nearby. Especially noticeable are the missing dressed stones of the windows. The structure is a L Plan castle with a staircase turret and a round tower at the south east angle. The main building seems on the ground floor to have contained the kitchen, with a wide fireplace in the north gable; the rugged edges of the ruined sides of the flue being visible high up in the gable. Though ruined, the remains are clearly on three stories. The Gordon Arms are visible on the exterior of the castle.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.