Once a royal fortress, Lauriston Castle can claim to be one of the oldest privately owned and inhabited castles in the region. By tradition, it was the stronghold of Giric, or Gregory the Great, one of the last of the Pictish kings (AD 878–889). The site of his church of Ecclesgreig is nearby and he gave his Latin name, Ciricius, to St. Cyrus.
Lauriston’s first charter is dated 1243 and it soon developed into a classic courtyard castle which was savagely fought over during Scotland's Wars of Independence and strengthened by King Edward III in 1336 as part of the chain of Plantagenet strongholds which he hoped would prevent a French landing in support of the Scots.
One of the corner towers on the edge of the cliff was incorporated into a typical laird’s house in the 1500s. In turn, this house was absorbed into a very large Georgian mansion of Palladian design, dated 1765–89.
For nearly 450 years Lauriston was held by the Stratons, whose arms of 1292 are among the earliest recorded in Scotland. In 1695, the Stratons were forced to sell Lauriston. Under the charter to the new owner, Court of Session Judge, Sir James Falconer of Phesdo, the estate became a burgh of barony, with a freeport at Miltonhaven. Over the following century, the policies were developed in fashionable Picturesque style, with waterfalls, walks and a two-acre walled garden.
Following its use as RAF barracks during World War II, part of the mansion was demolished.References:
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The photograph is of another Laurieston Castle in Edinburgh
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.