Brechin Cathedral dates from the 13th century. Immediately adjoining the cathedral to the southwest stands the Round Tower, built about 1000 A.D.
The western gable with its flamboyant window, Gothicdoor and massive square tower, parts of the (much truncated) choir, and the nave pillars and clerestory are all that is left of the original edifice. The modern stained glass in the chancel is reckoned amongst the finest in Scotland.
The quality of the masonry is superior to all but a very few of the Irish examples. The narrow single doorway, raised some feet above ground level in a manner common in these buildings, is also exceptionally fine. The door-surround is enriched with two bands of pellets, and the monolithic arch has a well-preserved representation of the Crucifixion. The slightly splayed sides of the doorway (also monolithic) have relief sculptures of ecclesiastics, one of them holding a crosier, the other a Tau-shaped staff.
Two monuments preserved within the cathedral, the so-called 'Brechin hogback', and a cross-slab, 'St. Mary's Stone' are further rare and important examples of Scottish 11th century stone sculpture. The hogback combines Celtic and Scandinavian motifs, and is the most complex known stone sculpture in the Ringerike style in Scotland. The inscribed St Mary's Stone has a circular border round the central motif of the Virgin and Child which echoes that on the Round Tower.
As a congregation of the Church of Scotland, which is Presbyterian, the church is not technically a cathedral, in spite of its name.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.