The McManus Art Gallery and Museum is a Gothic Revival-style building, located in the centre of Dundee, Scotland.
The building was designed by the architect George Gilbert Scott, who was an expert for the restoration of mediaeval churches and advocate of the Gothic architectural style. He intended to design a large tower like in his previous work at St. Nikolai, Hamburg. The foundations were situated in a small wetland called Quaw Bog at the confluence of the Scourin Burn and Friar Burn, which has since been drained. This meant that the area under the building site was underpinned by large wood beams. However, when construction began in 1865, the ground proved too unstable to support the larger tower that he envisaged. The building was opened as the Albert Institute in 1867.
Two further sections, which extended the building by four art galleries and four museum galleries, were added by 1889. The central section was designed to Scott's intention by David MacKenzie, with the Eastern Galleries by William Alexander. The contents of the Watt Institute, founded in 1848, were incorporated into the collection before the opening of the civic museum and art gallery in 1873. Between 1873 and 1949, the buildings were administrated as part of public library service. From 1959, the city corporation took over the running of the administration. Ironically, following a later refurbishment the building now commemorates the Lord Provost Maurice McManus. Initially retitled McManus Galleries, after refurbishment in 2010, it is now formally known as The McManus: Dundee's Art Gallery and Museum.
The collection includes three paintings by Thomas Musgrave Joy which celebrate Grace Darling's rescue of passengers on the paddlesteamer Forfarshire.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.