The Monastery of Great Lavra is the first monastery built on Mount Athos. The founding of the monastery in AD 963 by Athanasius the Athonite marks the beginning of the organized monastic life at Mount Athos. Athanasius began the construction according to the will of his friend and Byzantine Emperor Nikephoros II Phokas who funded the project. The emperors gave also the Great Lavra many other lands of property including the island of Saint Eustratius and the Monastery of Saint Andreas in Thessaloniki.
The building project, according to the biography of Athanasius the Athonite, began with the protective wall and continued to the church and cells. After Athanasius' death, the monastery continued its operation normally. The emperors favored its development and during the 11th century there were 700 monks, while smaller monasteries had been ceded to Great Lavra.
In the 14th century the monastery suffered, like all the other monasteries of Mount Athos, from Catalan and other pirates. The result of the crisis was the formation of a peculiar way of monasticism, the Idiorrhythmic Way, despite the objections of the official Church and the emperors. In 1574, the Patriarch of Alexandria, Sylvester, helped and the monastery operated again under cenobitic monasticism, but soon the peculiar monasticism was again introduced.
In 1655, the Patriarch Dionysios III, who also became a monk, donated his personal fortune for the return to the cenobitic life but again these attempts were insufficient and the peculiar monasticism remained until the 20th century (1914), when there were new attempts for the return to the cenobitic life but without results. Since 1980 the monastery has been cenobitic.
The main church (Katholikon) was found by Athanasius who lost his life together with 6 other workers when one of the domes fell during the construction. The architectural style of the temple is characterized by the two large areas of the chorus and the prayer. This style was then consecrated and was copied by the other monasteries. The frescoes were made in 1535 by the great painter Theophanis. However, the narthex was painted in 1854.
North of the narthex (liti), there is the chapel of the Forty Martyrs of Sebaste in which there is the grave of Athanasius. South of the liti, there is the chapel of Saint Nicholas, painted by Franco Cantellano, in 1560. The trapezaopposite the central entrance has a shape of cross and is the biggest on Mount Athos. Its interior is full of frescoes, painted by Theophanis or his school.
The library of the monastery is located behind the main church. It contains 2,116 Greek manuscripts and 165 codices. There are also over 20,000 printed books, and about 100 manuscripts in other languages. The collection is one of the richest collections of Greek manuscripts in the world.
The vestry is behind the main church. Some of the most important artifacts are a manuscript of a gospel with a golden cover which is a gift from Nikephoros II Phokas and the list (Kouvaras) of the monks since Athanasius. There are also 2,500 icons which cover the whole history of hagiography of the second millennium.References:
The settlement of Trepucó is one of the largest on Menorca, covering an area of around 49,240 square metres. Today, only a small part of the site can still be seen, the two oldest buildings, the talaiots (1000-700 BCE). Other remains include parts of the wall, two square towers on the west wall, the taula enclosure and traces of dwellings from the post-Talayotic period (650-123 BCE).The taula enclosure is one of the biggest on the island, despite having been subjected to what, by today’s standards, would be considered clumsy restoration work. This is one of the sites excavated around 1930 by Margaret Murray, a British archaeologist who was a pioneer of scientific research on Prehistoric Menorca.
The houses are perfectly visible on the west side of the settlement, due to excavation work carried out several years ago. They are multi-lobed with a central patio area and several rooms arranged around the outside. Looking at the settlement, it is easy to see that there was a clear division between the communal area (between the large talaiot and the taula) and the domestic area.The houses near the smaller talaiot seem to have been abandoned at short notice, meaning that the archaeological dig uncovered exceptionally well-preserved domestic implements, now on display in the Museum of Menorca.The larger talayot and the taula stand at the centre of a star-shaped fortification built during the 18th century.