The Monastery of Great Lavra is the first monastery built on Mount Athos. The founding of the monastery in AD 963 by Athanasius the Athonite marks the beginning of the organized monastic life at Mount Athos. Athanasius began the construction according to the will of his friend and Byzantine Emperor Nikephoros II Phokas who funded the project. The emperors gave also the Great Lavra many other lands of property including the island of Saint Eustratius and the Monastery of Saint Andreas in Thessaloniki.
The building project, according to the biography of Athanasius the Athonite, began with the protective wall and continued to the church and cells. After Athanasius' death, the monastery continued its operation normally. The emperors favored its development and during the 11th century there were 700 monks, while smaller monasteries had been ceded to Great Lavra.
In the 14th century the monastery suffered, like all the other monasteries of Mount Athos, from Catalan and other pirates. The result of the crisis was the formation of a peculiar way of monasticism, the Idiorrhythmic Way, despite the objections of the official Church and the emperors. In 1574, the Patriarch of Alexandria, Sylvester, helped and the monastery operated again under cenobitic monasticism, but soon the peculiar monasticism was again introduced.
In 1655, the Patriarch Dionysios III, who also became a monk, donated his personal fortune for the return to the cenobitic life but again these attempts were insufficient and the peculiar monasticism remained until the 20th century (1914), when there were new attempts for the return to the cenobitic life but without results. Since 1980 the monastery has been cenobitic.
The main church (Katholikon) was found by Athanasius who lost his life together with 6 other workers when one of the domes fell during the construction. The architectural style of the temple is characterized by the two large areas of the chorus and the prayer. This style was then consecrated and was copied by the other monasteries. The frescoes were made in 1535 by the great painter Theophanis. However, the narthex was painted in 1854.
North of the narthex (liti), there is the chapel of the Forty Martyrs of Sebaste in which there is the grave of Athanasius. South of the liti, there is the chapel of Saint Nicholas, painted by Franco Cantellano, in 1560. The trapezaopposite the central entrance has a shape of cross and is the biggest on Mount Athos. Its interior is full of frescoes, painted by Theophanis or his school.
The library of the monastery is located behind the main church. It contains 2,116 Greek manuscripts and 165 codices. There are also over 20,000 printed books, and about 100 manuscripts in other languages. The collection is one of the richest collections of Greek manuscripts in the world.
The vestry is behind the main church. Some of the most important artifacts are a manuscript of a gospel with a golden cover which is a gift from Nikephoros II Phokas and the list (Kouvaras) of the monks since Athanasius. There are also 2,500 icons which cover the whole history of hagiography of the second millennium.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.