Graines castle occupies the summit of a rocky spur which commands Brusson and most of the Val d'Ayas. In medieval times, it communicated through flag or mirror messages with the nearby Bonot Tower and the Villa Castle in Challand-Saint-Victor.
The fief of Graines is documented since 515, when King Sigismund of Burgundy donated it to the newly formed Abbey of St. Maurice. The castle was perhaps built in the 11th century by its monks, who built the Romanesque chapel which is still visible in the interior.
In 1263 the abbey sold the fief to Godefroi of Challant, a faithful vassal of the House of Savoy, whose family held the castle until the 18th century. The castle was a stronghold of Catherine of Challant in her struggle for the family's inheritance. When the Challant disappeared in the 19th century, the castle was bought by Passerin d'Entrèves family, who later sold it to the commune of Brusson. The castle was restored in the early 20th century by Alfredo d'Andrade and Giuseppe Giacosa.
The castle had the typical layout of Aosta Valley early medieval castles. It had an irregular line of walls measuring c. 80 x 50 m, which housed a series of structures such as the large donjon (square tower) and a small chapel, the only ones remaining now.
The donjon is square in plan, with a side of more than 5.5 m. It was the castle's keep and the residence of the castellan or the lord. The entrance was at some five metres from the ground, and could be accessed only by a ladder which could be removed during sieges. A wing was later added to enlarge the tower.
The Romanesque chapel, dedicated to St. Martin, has a single nave with a length of eight metres, ending in a semicircular apse. The ceiling had crumbled down.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.