The Roman Theatre in Aosta was built in the late reign of Augustus, some decades after the foundation of the city (25 BC), as testified by the presence of pre-existing structures in the area. There was also an amphitheatre, built during the reign of Claudius, located nearby.
The theatre occupies three blocks annexed to the ancient city walls, along the Roman main road (the decumanus maximus, next to the Porta Praetoria. The structure occupied an area of 81 x 64 m, and could contain up to 3,500/4,000 spectators.
What remains today include the southern façade, standing at 22 m. The cavea was enclosed in a rectangular-shaped wall including the remaining southern part. This was reinforced by buttresses each 5.5 m from the other, and included by four orders of arcades which lightened its structure. It has been supposed that the theatre once had an upper cover, in the same way of the Theatre of Pompey in Rome.
The orchestra had a diameter of 10 m. The scene, of which only the foundations remain, was decorated by Corinthian columns and statues, and was covered with marble slabs.
A marketplace surrounded by storehouses on three sides with a temple in the centre with two on the open (south) side, as well as a thermae, also have been discovered.
Since 2011, the theatre is used for music shows and theatrical performs.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.