Vischering Castle is a typical moated castle in the Münster region. It consists of outer defensive courtyard, defensive gateways, moat, drawbridge, main building and chapel. The sandstone walls, the red tile roofs as well as their reflection in the moat provide many harmonious views from the wooded surroundings.
Vischering Castle was built by Bischop Gerhard von der Mark. It became the seat of the Vischering Family. The moat is constantly replenished by a side-arm of the River Stever. The outer defensive courtyard contains the business and farm buildings. The main building is a horseshoe-shaped three-story structure with heavy outer wall. Its inner courtyard is closed off by the chapel and a lower defense wall. A castle keep is missing, having been removed during Renaissance renovations. Fire destroyed the castle in 1521. Rebuilding took place on the existing foundation. Windows and the addition of a large bay made the castle more liveable but diminished its defensive character. The whole site however retains the character of a feudal age moated castle. Damage from air attack during World War II was minor.
Vischering Castle houses the Münsterlandmuseum, an exhibit on knighthood for children, as well as a cafe-restaurant. It serves as a cultural center for Kreis Coesfeld. Visiting hours are provided in the first link below. Viewing the outside is possible at all times. The second link provides a more detailed chronology of the castle in German .References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.