Cappenberg Castle is a former Premonstratensian monastery. The Counts of Cappenberg, who were related to the Salians and the Staufers, were a rich and powerful family. During the Investiture Controversy, when they supported Duke Lothar von Supplinburg against Emperor Heinrich V, Count Gottfried von Cappenberg and his brother Otto von Cappenberg led their armies against Münster in February 1121 under the leadership of Duke Lothar. A great part of the town was destroyed, and the old cathedral was burnt down. Before the Emperor could bring them to trial for violation of the peace of the realm, Gottfried – either out of genuine repentance or out of fear of the Imperial judgment - gave the greater part of his estates in Westphalia to the founder of the Premonstratensian Order, Norbert of Xanten, renounced worldly life and withdrew into a monastery, where, according to contemporary custom, he was immune from punishment.
After the ratification of the Concordat of Worms in 1122 he reappeared as Gottfried II, last Count of Cappenberg (afterwards better known as Saint Gottfried). Against the wishes of his family he founded a Premonstratensian monastery in his ancestral castle on the Cappenberg. For his wife, Ida, daughter of Count Friedrich von Arnsberg, and his sisters Gerberga and Beatrix, he built a nunnery next door.
The monastery was economically successful, and accumulated considerable wealth, as may still to some extent be seen from the surviving abbey church. The monastery was largely destroyed during the Thirty Years' War. The present Baroque premises in three ranges were built from 1708 onwards.
After an existence of almost 700 years the monastery was dissolved in 1803 and became an estate of the Prussian crown. After periods under the rule of France and of the Duchy of Berg, the estate was regained in 1815 by Prussia and in 1816 was acquired by the former Minister of State the Baron vom Stein, who renovated the buildings and thus preserved them from dereliction.
After the extinction of the family von und zum Stein the estate was inherited in 1926 by the family of the Counts of Kanitz.
During World War II Schloss Cappenberg served as a place of safety to protect works of art from Allied bombing.
In 1985 the Landschaftsverband Westfalen-Lippe and the local authority of Kreis Unna rented rooms in the castle and converted them for use as a museum. Since then, in conjunction with the Stiftung Preußischer Kulturbesitz, various exhibitions have been held here. In the west wing are kept the archives of Freiherr vom Stein, who lived in the castle from 1824 until his death in 1831, and also the archives of the former monastery. In the former abbey church is a portrait bust of the period around 1160 of the Emperor Frederick Barbarossa made of gilt bronze.
Nowadays Schloss Cappenberg is an excursion destination, with a museum, and is part of the Industry Heritage Trail. Art exhibitions and concerts are regularly held there.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.