Hodegetria Monastery is one of the oldest and grandest monasteries on Crete, with its history closely linked to that of small monasteries and hermitages in the Asteroussia region.
It is a citadel-type monastery, with a large fortified tower in its courtyard that protected the monks from pirates arriving by sea in the south. According to tradition, this tower was initially built by Nikiforos Fokas in 961 AD. However, the present-day tower is more recent, built at the site of the first one during the era of Venetian rule, but retaining many of its Byzantine characteristics.
The two-aisled church at the centre of the courtyard is dedicated to the Virgin Mary and the Holy Apostles.
Several additions have been made to the initial structure and its interior includes murals, portable icons by renowned painters, an artful chancel screen and important holy vestments.
During the era of Ottoman rule, the monastery served as the seat and refuge of revolutionaries and its history has been linked with Xopateras, a dynamic monk who fought the Ottomans laying siege to the Monastery on his own. After the Ottomans killed him, they set fire to the tower and destroyed the monastery.
The monastery includes wonderful 15th century icons by the painter Angelos, such as the Life-giving Fontand Saint Fanourios, while the murals of the chapels and nearby churches, which are also worthy of note, were painted during various eras.
There is a small museum with an old oil press, a stone oven, old farming tools, a wine press and other utensils.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.