The Fortezza (fortress) is the citadel of the city of Rethymno in Crete. It is built on a hill which was the site of ancient Rhithymna's acropolis. Between the 10th and 13th centuries, the Byzantines established a fortified settlement to the east of the hill. It was called Castrum Rethemi, and it had square towers and two gates. The fortifications were repaired in the beginning of the 13th century.
Following the fall of Cyprus to the Ottomans in 1571, Crete became the largest remaining Venetian overseas possession. Since Rethymno had been sacked, it was decided that new fortifications needed to be built to protect the city and its harbour. The new fortress, which was built on the Paleokastro hill, was designed by the military engineer Sforza Pallavicini according to the Italian bastioned system.
Construction began on 13 September 1573, and it was complete by 1580. Although the original plan had been to demolish the old fortifications of Rethymno and move the inhabitants into the Fortezza, it was too small to house the entire city. The walls along the landward approach to the city were left intact, and the Fortezza became a citadel housing the Venetian administration of the city. It was only to be used by the inhabitants of the city in the case of an Ottoman invasion.
On 29 September 1646, during the Fifth Ottoman–Venetian War, an Ottoman force besieged Rethymno, and the city's population took refuge in the Fortezza. Conditions within the citadel deteriorated, due to disease and a lack of food and ammunition. The Venetians surrendered under favourable terms on 13 November.
The Ottomans did not make any major changes to the Fortezza, except the construction of a ravelin outside the main gate. They also built some houses for the garrison and the city's administration, and they converted the cathedral into a mosque. The fort remained in use until the early 20th century.
Large-scale restoration work has been under way since the early 1990s. The Fortezza is managed by the Ministry of Culture and Sports, and it is open to the public. The Ottoman ravelin now houses the Archaeological Museum of Rethymno.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.