One of the oldest medieval towns on the French Riviera, Haut-de-Cagnes is well known for its modern and contemporary art museums and galleries such as Fondation Maeght which is located nearby.
The village is located just 15 minutes’ drive from the coastline on top of a large mound known as the Plateau du Puy, on top of which a Roman oppidum was built, followed by a medieval castle, which was then known as the castrum, dominated in the Middle Ages by the Counts of Provence. The village got its big break in 1388 due to its proximity to the Var river when the County of Nice was seceded to the Kingdom of Savoy and Saint Paul was upgraded to bordertown garrison level – in the 16th century, repeated attacks from Charles V of Spain and his Habsburg dynasty that dominated most of Europe at the time lead French King Francis I to build the mighty city walls and fortifications that still stand today.
In the following centuries, the village developed its Baroque religious architecture and in the 19th century, the artists started to arrive, attracted by the light and the beautiful architecture of the village. One of the local hotel entrepreneurs, Paul Roux, owner of the future Colombe d’Or Hotel (the best place in town, at the entrance to the village), decided to lodge some artists for free in exchange for some of their paintings, which still adorn the hotel.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.