Rosersberg Palace is one of the Royal Palaces of Sweden. It was built in the 1630s by the Oxenstierna family and became a royal palace in 1762, when the state gave it to Duke Karl (later Karl XIII), the younger brother of Gustav III of Sweden.
Gabriel Bengtsson Oxenstierna named the palace after his mother who came from the prestigious Tre Rosor ("Three Roses") family. Construction of the building in the typical Renaissance style of the time started in 1634 and was completed in 1638. In late 17th century, the Renaissance style was out of fashion and Oxenstierna's son, Bengt Oxenstierna, had it radically modernised in the then current Rococo style under the architect Nicodemus Tessin the Younger. The gables of the main building were demolished and the building was given a new roof. New wings and colonnaded gallery were added.
In 1747, Rosersberg was acquired by Baron Erland Carlsson Broman, and was again modernized with the assistance of the architect Jean Eric Rehn. Broman died in 1757, and the palace was acquired by the State, and given to Duke Karl. Karl took up residence in the palace and continued with Rehn's plans for modernizing it. It was renovated in the late Gustavian style but was lacking many of the more capricious aspects of the style, replacing them with a more serious and romantic tone which is referred to as the Karl XIII Empire style. As part of the modernization a series of new interiors were created, the most notable of which are the Orange and Red drawing rooms, and the Hogland Room.
It was a favourite among the palaces for Karl XIV Johan and Queen Desideria, the first of the Bernadotte line, who spent their summers relaxing at Rosersberg and were the last royals to use the palace as a residence. Karl Johan's bedchamber is regarded as one of the most important examples of an early 19th century Swedish interior. Nowadays, the rooms and collections are preserved very much as they were during the period 1795-1825.
After the death of Desideria in 1860, the palace was given to Swedish infantry and until 1961 was a school of musketry. In the 1960s the Civil Defence force took over parts of the palace and grounds and parts are now used by the Swedish Rescue Services Agency.
The palace has a park which incorporates a French baroque garden commissioned by Bengt Oxenstierna, and designed and planted at the end of the 17th century by Tessin the Younger. At the time it was considered one of the most lavish gardens in Sweden, but much of the garden has become overgrown or been lost. The avenues and a 600 metre (1,968 ft) pond still exist. On the left hand side of the palace is an English garden with winding paths commissioned by Duke Karl around 1800.References:
The historic city of Trogir is situated on a small island between the Croatian mainland and the island of Čiovo. Since 1997, it has been included in the UNESCO list of World Heritage Sites for its Venetian architecture.
Trogir has 2300 years of continuous urban tradition. Its culture was created under the influence of the ancient Greeks, and then the Romans, and Venetians. Trogir has a high concentration of palaces, churches, and towers, as well as a fortress on a small island. The orthogonal street plan of this island settlement dates back to the Hellenistic period and it was embellished by successive rulers with many fine public and domestic buildings and fortifications. Its beautiful Romanesque churches are complemented by the outstanding Renaissance and Baroque buildings from the Venetian period.
Trogir is the best-preserved Romanesque-Gothic complex not only in the Adriatic, but in all of Central Europe. Trogir's medieval core, surrounded by walls, comprises a preserved castle and tower and a series of dwellings and palaces from the Romanesque, Gothic, Renaissance and Baroque periods. Trogir's grandest building is the church of St. Lawrence, whose main west portal is a masterpiece by Radovan, and the most significant work of the Romanesque-Gothic style in Croatia.