The first cathedral at Toulon existed in the 5th century, but no trace of it remains. The present building was begun in 1096 by Gilbert, Count of Provence, according to tradition in gratitude for his safe return from the Crusades. The first three travées, or bays of the nave, remain from the Romanesque 11th century church, and the present Chapel of Saint Joseph was originally the choir apse. The Chapel of Relics was constructed in the 15th century.
In the winter of 1543–1544 the cathedral, the largest building in the city, was temporarily transformed into a mosque for the 30,000 crew members of the ships of the Ottoman-Barbary admiral Hayreddin Barbarossa, at that time an ally of Francis I of France. The residents of Toulon were temporarily expelled from the city to make room for the Turkish sailors. At the end of the winter, King Francis paid a large bribe to the Turkish admiral to persuade him and his fleet to leave.
As the naval port of Toulon was enlarged by Henri IV and Louis XIV, and the city became more important, the cathedral was also enlarged. Additions between 1654 and 1659 had the effect of enclosing the original Romanesque building and incorporating the Chapel of Relics.
From 1696 to 1701, during the reign of Louis XIV, the Toulon church's classical façade was constructed. Angels on the tympanum of the massive porch, supported on Corinthian columns, hold the arms of Toulon. The façade was badly damaged in the French Revolution, but was restored to its original appearance in 1816. It also displays a memorial plaque from 1239, dedicated to Gilbert of Baux, who died in 1239, and to Gaufridet of Trets and Toulon, and his wife Dame Guillaumette, both of whom died in 1234.
The clock tower was built between 1737 and 1740, around the same time as the monumental gate of the Toulon Arsenal. It is 36 meters high, and three meters thick at the base.
On top of the tower is an iron campanile, where a bell has kept time in Toulon since 1524. The original bells were taken and melted down during the French Revolution. In 1806 and 1807 they were replaced by four new bells.
The most notable work of art in the cathedral is the eighteenth century Baroque retable made to hold the Holy Sacrament, located in the Corpus Christi Chapel. The original retable was designed by the sculptor and painter Pierre Puget, and made of wood. The original was destroyed by fire in 1661, and replaced in 1681 by a replica made of marble and stucco by Puget's nephew and student, Christophe Veyrier.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.