Skokloster Castle was built in the Baroque style between 1654 and 1676 by the wealthy military commander and count Carl Gustaf Wrangel. The castle was designed by architect Nicodemus Tessin the Elder. When Wrangel died, the castle passed into the hands of the Brahe family, and then, after 1930, became the property of the von Essens. In 1967 the castle and its contents were sold by the family to the Swedish government; since then it has been open as a museum.
The castle is a monument to the Swedish Age of Greatness, a period in the middle of the seventeenth century when Sweden expanded to became one of the major powers in Europe. The death of Wrangel in 1676 meant that the castle was never truly completed. The Brahe family who inherited the castle after Wrangels death, had their own family castles and did not complete the interiors. Thus the large banqueting hall remains in the same condition as the builders left it in the summer of 1676, complete with their tools. Skokloster Castle is the only building in Europe with a complete seventeenth-century building site of equal authenticity. Some rooms in the castle are unchanged since the time when the castle was first built. Others have been preserved using the same materials and building techniques as used in the 17th century.
The interiors of the castle are considered to be especially well preserved, despite being made of original material much of which is more than 300 years old and in a building without modern heating in a cold climate. It is not known exactly why the building preserves textiles and furniture so well, but it is thought to relate to the unusually slow changes in temperature during seasons.
The other, finished, parts of the castle displays the full, sumptuous splendour of the Baroque. The castle's detailed chambers are home to remarkable collections of paintings as well as furniture, textiles and silver and glass tableware. One of the most famous paintings is the 16-th century Vertumnus by Italian master Giuseppe Arcimboldo. It pictures the face of Holy roman emperor Rudolf II as the roman god of the seasons using fruits and vegetables. The painting was stolen in Prague in 17th century.
The castle armoury and library are particularly noteworthy, both founded on Wrangel's collections of weapons and books and enriched and enlarged by other seventeenth- and eighteenth-century aristocratic bequests, such as those by Carl Gustaf Bielke. The armoury contains the largest collection of personal 17th century military weapons in the world. Mostly muskets and pistols, but also swords - including Japanese samurai swords - small cannons, pikes and crossbows. The weapons collection also includes various exotic items such as a 16-century Eskimo canoe, snake skins and others. The original scale model of the castle which the architect Tessin made to show to count Wrangel is also there.References:
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.