Skokloster Castle

Skokloster, Sweden

Skokloster Castle was built in the Baroque style between 1654 and 1676 by the wealthy military commander and count Carl Gustaf Wrangel. The castle was designed by architect Nicodemus Tessin the Elder. When Wrangel died, the castle passed into the hands of the Brahe family, and then, after 1930, became the property of the von Essens. In 1967 the castle and its contents were sold by the family to the Swedish government; since then it has been open as a museum.

The castle is a monument to the Swedish Age of Greatness, a period in the middle of the seventeenth century when Sweden expanded to became one of the major powers in Europe. The death of Wrangel in 1676 meant that the castle was never truly completed. The Brahe family who inherited the castle after Wrangels death, had their own family castles and did not complete the interiors. Thus the large banqueting hall remains in the same condition as the builders left it in the summer of 1676, complete with their tools. Skokloster Castle is the only building in Europe with a complete seventeenth-century building site of equal authenticity. Some rooms in the castle are unchanged since the time when the castle was first built. Others have been preserved using the same materials and building techniques as used in the 17th century.

The interiors of the castle are considered to be especially well preserved, despite being made of original material much of which is more than 300 years old and in a building without modern heating in a cold climate. It is not known exactly why the building preserves textiles and furniture so well, but it is thought to relate to the unusually slow changes in temperature during seasons.

The other, finished, parts of the castle displays the full, sumptuous splendour of the Baroque. The castle's detailed chambers are home to remarkable collections of paintings as well as furniture, textiles and silver and glass tableware. One of the most famous paintings is the 16-th century Vertumnus by Italian master Giuseppe Arcimboldo. It pictures the face of Holy roman emperor Rudolf II as the roman god of the seasons using fruits and vegetables. The painting was stolen in Prague in 17th century.

The castle armoury and library are particularly noteworthy, both founded on Wrangel's collections of weapons and books and enriched and enlarged by other seventeenth- and eighteenth-century aristocratic bequests, such as those by Carl Gustaf Bielke. The armoury contains the largest collection of personal 17th century military weapons in the world. Mostly muskets and pistols, but also swords - including Japanese samurai swords - small cannons, pikes and crossbows. The weapons collection also includes various exotic items such as a 16-century Eskimo canoe, snake skins and others. The original scale model of the castle which the architect Tessin made to show to count Wrangel is also there.

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Details

Founded: 1654-1676
Category: Castles and fortifications in Sweden
Historical period: Swedish Empire (Sweden)

Rating

4.4/5 (based on Google user reviews)

User Reviews

Erik Östgaard (2 years ago)
Beautiful castle with lots of nature close by, perfect place to take a walk and enjoy nature
nóra kosik (3 years ago)
It's a very good afternoon program just to have a walk around here drinking coffee eating some good cake. There is an interesting museum and a littel farm with farm animals for the kids.
Oleksii Pasichnyi (3 years ago)
Must to visit castle in Sweden. Very well preserved baroque epoch interior and collections which are kept as it was 350 years ago.
Maria Karlin (3 years ago)
What an interesting castle and a rich history to match. Come during summer when the fruits orchard are ready for picking. The environment outside the castle and by the water is equally beautiful as the exhibits inside.
Adelė Žilinskaitė (3 years ago)
Impressive castle with beautiful surroundings. Perfect for a summer walk and picturesque for taking photos. Also, there are a few cafes with delicious bits to eat.
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Veste Coburg

The Veste Coburg is one of Germany's largest castles. The hill on which the fortress stands was inhabited from the Neolithic to the early Middle Ages according to the results of excavations. The first documentary mention of Coburg occurs in 1056, in a gift by Richeza of Lotharingia. Richeza gave her properties to Anno II, Archbishop of Cologne, to allow the creation of Saalfeld Abbey in 1071. In 1075, a chapel dedicated to Saint Peter and Saint Paul is mentioned on the fortified Coberg. This document also refers to a Vogt named Gerhart, implying that the local possessions of the Saalfeld Benedictines were administered from the hill.

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Early modern times through Thirty Years' War

In 1485, in the Partition of Leipzig, Veste Coburg fell to the Ernestine branch of the family. A year later, Elector Friedrich der Weise and Johann der Beständige took over the rule of Coburg. Johann used the Veste as a residence from 1499. In 1506/07, Lucas Cranach the Elder lived and worked in the Veste. From April to October 1530, during the Diet of Augsburg, Martin Luther sought protection at the Veste, as he was under an Imperial ban at the time. Whilst he stayed at the fortress, Luther continued with his work translating the Bible into German. In 1547, Johann Ernst moved the residence of the ducal family to a more convenient and fashionable location, Ehrenburg Palace in the town centre of Coburg. The Veste now only served as a fortification.

In the further splitting of the Ernestine line, Coburg became the seat of the Herzogtum von Sachsen-Coburg, the Duchy of Saxe-Coburg. The first duke was Johann Casimir (1564-1633), who modernized the fortifications. In 1632, the fortress was unsuccessfully besieged by Imperial and Bavarian forces commanded by Albrecht von Wallenstein for seven days during the Thirty Years' War. Its defence was commanded by Georg Christoph von Taupadel. On 17 March 1635, after a renewed siege of five months' duration, the Veste was handed over to the Imperials under Guillaume de Lamboy.

17th through 19th centuries

From 1638-72, Coburg and the Veste were part of the Duchy of Saxe-Altenburg. In 1672, they passed to the Dukes of Saxe-Gotha and in 1735 it was joined to the Duchy of Saxe-Saalfeld. Following the introduction of Primogeniture by Duke Franz Josias (1697-1764), Coburg went by way of Ernst Friedrich (1724-1800) to Franz (1750-1806), noted art collector, and to Duke Ernst III (1784-1844), who remodeled the castle.

In 1826, the Duchy of Saxe-Coburg-Gotha was created and Ernst now styled himself 'Ernst I'. Military use of the Veste had ceased by 1700 and outer fortifications had been demolished in 1803-38. From 1838-60, Ernst had the run-down fortress converted into a Gothic revival residence. In 1860, use of the Zeughaus as a prison (since 1782) was discontinued. Through a successful policy of political marriages, the House of Saxe-Coburg and Gotha established links with several of the major European dynasties, including that of the United Kingdom.

20th century

The dynasty ended with the reign of Herzog Carl Eduard (1884-1954), also known as Charles Edward, Duke of Saxe-Coburg and Gotha, a grandson of Queen Victoria, who until 1919 also was the 2nd Duke of Albany in the United Kingdom. Under his rule, many changes made to the Veste in the 19th century were reversed under architect Bodo Ebhardt, with the aim of restoring a more authentic medieval look. Along with the other ruling princes of Germany, Carl Eduard was deposed in the revolution of 1918-1919. After Carl Eduard abdicated in late 1918, the Veste came into possession of the state of Bavaria, but the former duke was allowed to live there until his death. The works of art collected by the family were gifted to the Coburger Landesstiftung, a foundation, which today runs the museum.

In 1945, the Veste was seriously damaged by artillery fire in the final days of World War II. After 1946, renovation works were undertaken by the new owner, the Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen.

Today

The Veste is open to the public and today houses museums, including a collection art objects and paintings that belonged to the ducal family of Saxe-Coburg and Gotha, a large collection of arms and armor, significant examples of early modern coaches and sleighs, and important collections of prints, drawings and coins.