The Barons of Aigle were first mentioned in 1179. At that time they had a small fortification, that became the center of the modern castle, along the road over the Col du Pillon and Col des Mosses passes of the Rhone. However, only traces of this first castle have been archaeologically discovered.
Some time before 1200, the Barons of Aigle ended up as vassals of the powerful Counts of Savoy. In 1232, Count Thomas of Savoy granted Aigle as a fief to the brothers Jacob and Peter of Saillon in exchange for their ancestral castle in Valais. The Saillon family seems to have been closely related with the barons of Aigle.
In the second half of the 13th century, Aigle expanded and received a city charter. The castle was rebuilt, with a fortified donjon and a curtain wall.
In the 14th Century, the Lords of Compey inherited the rights of the Saillon family. They were also vassals of the Counts of Savoy and made Aigle into their headquarters. They added turrets and in 1450 built a massive tower in the south corner. This tower was an example of late French Donjon architecture.
Starting in the mid-15th Century, Bern tried to control the city, to gain control of the important mountain passes into the Rhone Valley. Their first unsuccessful attempt was in 1464. The Burgundian Wars (1474–1477), which brought the Swiss Confederation into conflict with Duke Charles the Bold of Burgundy, brought another opportunity. Because Savoy had joined the Burgundian side, Swiss forces attacked the Savoy town of Aigle and devastated the castle. Jean de Compey had to flee and was killed soon afterward in Vevey. His son died fighting for Charles the Bold.
After the war, the Compey family were unable to recover their title to the town or castle. Bern had the castle rebuilt again in 1488 and made it the seat of a provincial governor. Aigle became one of the first French speaking districts in Bern. The representatives of Bern resided here until the French invasion and creation of the Helvetic Republic in 1798.
In 1804, the castle was acquired by the community of Aigle and until 1976 it was used as a cantonal jail. Since then, it has been a museum open to the public.
Today the castle is home to Musée de la Vigne et du Vin (Vine and wine museum). Next to the castle gates is the Maison de la Dîme, which houses the Musée de l’Étiquette (Wine-Labels Museum).References:
The Church of Our Lady before Týn is a dominant feature of the Old Town of Prague and has been the main church of this part of the city since the 14th century. The church's towers are 80 m high and topped by four small spires.
In the 11th century, this area was occupied by a Romanesque church, which was built there for foreign merchants coming to the nearby Týn Courtyard. Later it was replaced by an early Gothic Church of Our Lady before Týn in 1256. Construction of the present church began in the 14th century in the late Gothic style under the influence of Matthias of Arras and later Peter Parler. By the beginning of the 15th century, construction was almost complete; only the towers, the gable and roof were missing. The church was controlled by Hussites for two centuries, including John of Rokycan, future archbishop of Prague, who became the church's vicar in 1427. The roof was completed in the 1450s, while the gable and northern tower were completed shortly thereafter during the reign of George of Poděbrady (1453–1471). His sculpture was placed on the gable, below a huge golden chalice, the symbol of the Hussites. The southern tower was not completed until 1511, under architect Matěj Rejsek.
After the lost Battle of White Mountain (1620) began the era of harsh recatholicisation (part of the Counter-Reformation). Consequently, the sculptures of 'heretic king' George of Poděbrady and the chalice were removed in 1626 and replaced by a sculpture of the Virgin Mary, with a giant halo made from by melting down the chalice. In 1679 the church was struck by lightning, and the subsequent fire heavily damaged the old vault, which was later replaced by a lower baroque vault.
Renovation works carried out in 1876–1895 were later reversed during extensive exterior renovation works in the years 1973–1995. Interior renovation is still in progress.
The northern portal is a wonderful example of Gothic sculpture from the Parler workshop, with a relief depicting the Crucifixion. The main entrance is located on the church's western face, through a narrow passage between the houses in front of the church.
The early baroque altarpiece has paintings by Karel Škréta from around 1649. The oldest pipe organ in Prague stands inside this church. The organ was built in 1673 by Heinrich Mundt and is one of the most representative 17th-century organs in Europe.