The Kunstmuseum Basel houses the largest and most significant public art collection in Switzerland. The Kunstmuseum possesses the largest collection of works by the Holbein family. Further examples of Renaissance art include important pieces by such masters as Konrad Witz, Hans Baldung (called Grien), Martin Schongauer, Lucas Cranach the Elder and Mathias Grünewald.
The main features of the 17th and 18th centuries are the Flemish and Dutch schools (e.g. Peter Paul Rubens, Rembrandt, Jan Brueghel the Elder), German and Dutch still life painting. Key works from the 19th century include the Impressionists represented by Édouard Manet, Claude Monet, Paul Gauguin, Paul Cézanne as well as the paintings by Vincent van Gogh and Switzerland’s Arnold Böcklin and Ferdinand Hodler.
In the 20th century, the focus is on works of Cubism with Picasso, Braque and Juan Gris. Expressionism is represented by such figures as Edvard Munch, Franz Marc, Oskar Kokoschka and Emil Nolde. The collection also includes works from Constructivism, Dadaism and Surrealism and American art since 1950. Further highlights are the unique compilations of works from Pablo Picasso, Fernand Léger, Paul Klee, Alberto Giacometti and Marc Chagall.
In the realm of more recent and contemporary art, the collection maintains substantial bodies of work by Swiss, German, Italian, and American artists, including Joseph Beuys, Andy Warhol, Jasper Johns, Georg Baselitz, A.R. Penck, Brice Marden, Bruce Nauman, Jonathan Borofsky, Roni Horn, Francesco Clemente, Mimmo Paladino, Enzo Cucchi, Martin Disler, Leiko Ikemura, Markus Raetz, Rosemarie Trockel and Robert Gober.
The Kunstmuseum’s main building was designed and constructed 1931-1936 by architects Paul Bonatz und Rudolf Christ.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.