The Hospital de Tavera is an important Building of Renaissance style in Toledo. It was built between 1541 and 1603 by order of the Cardinal Tavera. This hospital is dedicated to John the Baptist and also served as pantheon for its patron, Cardinal Tavera. Initially it began to be constructed under the supervision of Alonso de Covarrubias, being succeeded by other architects and finishing the work Bartolomé Bustamante.
Currently the building remains the property of the House of Medinaceli and inside it is the Museo Fundación Lerma, which houses part of the artistic collections of this lineage, as well as the Section of the Nobility of the National Historic Archive.
The appearance of the building is that of a Florencian Renaissance palace, except for the portal, that was constructed in the 18th century, between the years 1760 and 1762. It is a regular building with an Italian-style façade, with equidistant and rectangular windows on the lower floor and semicircular on the upper, being the opposite of the extreme. The ensemble is joined by two columned twinned courtyards, separated and joined together by a double arcade that crosses them towards the church.
In the museum there is a large archive of documents and numerous works of art of great value are preserved: paintings by El Greco, Ribera, Tintoretto, Luca Giordano , Titian, Snyders and Jacopo Bassano, among others. One of the few portraits painted by Zurbarán, and a copy of Tiziano's Equestrian Portrait of Charles V, painted by Sánchez Coello. Equally exceptional is the sculpture of the Resurrected Christ, by El Greco. In addition, it lodges in its dependencies the building of the old pharmacy of the hospital and the Section of the Nobility of the National Historic Archive.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.