The Palace of Fuensalida was built at the end of the first half of the 15th century by Pedro López de Ayala, the first lord of Fuensalida, is the best palace exponent of the Toledan Mudéjar, a historical typology that is scarce in Toledo built heritage, where merge three styles: Gothic, Plateresque and Mudéjar.
It is integrated in a big block, which also includes the Taller del Moro and the Iglesia de Santo Tomé, which forms the north façade of the Plaza del Conde.
The first Count of Fuensalida, Pedro López de Ayala, carved this house towards 1440 for the mayorazgos of this title, of which was founder. This first Count of Fuensalida, son of the famous Chancellor López de Ayala, was main mayor of Toledo, mayor of the fortresses of the city, and, consequently, retired mayor of the King.
Charles V, Holy Roman Emperor, despite his pilgrimage, landed in Toledo no less than nineteen homes, and he lived in this Palace while the construction of the Alcázar was completed. In his letters and in its courtyard, the child who would become king, Philip II, experienced some of his childhood experiences, along with his mother, the Empress. Today, a sculpture by Pompeo Leoni representing Isabel of Portugal presides over the courtyard of Fuensalida.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.