An early medieval castle in Malpaga had been in ruins after a raid in the 1440s. In 1456, the condottiero and nobleman Bartolomeo Colleoni acquired the ruined castle from the commune of Bergamo. He enlarged and enriched it not only as a military base for his troops, but also as a seigneurial residence, in the typical Italian Renaissance fashion.
The castle layout is square, surrounded by two lines of walls and a ditch. The first line, now disappeared, included the stables and the barracks. The walls are characterized by merlons. The castle's internal walls are almost entirely frescoed, although some of them have deteriorated or been vandalized. Some frescoes celebrate the 1474 visit of King Christian I of Denmark and the sumptuous hospitality given him by Bartolomeo Colleoni, including banquets, hunting expeditions and tournaments. They were commissioned by Bartolomeo's heirs around 1520-1530 to celebrate the family's most famous member, and are attributed to Il Romanino. On the first floor are 17th-century frescoes of lesser quality.
Aside from Christian I's visit, the frescoes also depict allegories, such as that of Silence (an allusion to the secrets which should be kept by the castle's personnel), and the idealized portraits of Colleoni and the king. In the courtyard, also attributed to Romanino, is the depiction of the Battle of Molinella (or Riccardina), fought by Colleoni in 1467 near Bologna. Another 15th-century fresco of the Madonna with Child, by an unknown artist, is found in Colleoni's private studio.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.