An early medieval castle in Malpaga had been in ruins after a raid in the 1440s. In 1456, the condottiero and nobleman Bartolomeo Colleoni acquired the ruined castle from the commune of Bergamo. He enlarged and enriched it not only as a military base for his troops, but also as a seigneurial residence, in the typical Italian Renaissance fashion.
The castle layout is square, surrounded by two lines of walls and a ditch. The first line, now disappeared, included the stables and the barracks. The walls are characterized by merlons. The castle's internal walls are almost entirely frescoed, although some of them have deteriorated or been vandalized. Some frescoes celebrate the 1474 visit of King Christian I of Denmark and the sumptuous hospitality given him by Bartolomeo Colleoni, including banquets, hunting expeditions and tournaments. They were commissioned by Bartolomeo's heirs around 1520-1530 to celebrate the family's most famous member, and are attributed to Il Romanino. On the first floor are 17th-century frescoes of lesser quality.
Aside from Christian I's visit, the frescoes also depict allegories, such as that of Silence (an allusion to the secrets which should be kept by the castle's personnel), and the idealized portraits of Colleoni and the king. In the courtyard, also attributed to Romanino, is the depiction of the Battle of Molinella (or Riccardina), fought by Colleoni in 1467 near Bologna. Another 15th-century fresco of the Madonna with Child, by an unknown artist, is found in Colleoni's private studio.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.