A church at the site of Sant'Agata was present by the 8th century, when the neighborhood was located outside the city walls, but after the 1184 fire destroyed the ancient church, it was reconstructed in the 15th-century in Gothic style. Destruction by fire of this church was somewhat paradoxical, since Saint Agatha was the saint invoked for protection against fires. Further modifications were completed along the centuries, leading to a pastiche of styles. The incomplete 14th-century facade has a Renaissance architecture facade, decorated with Baroque statuary.
Inside, the presbytery dates from the 15th century, the ceiling from the 16th century, the altars and fresco decoration from the 1680s, and the chapel of the Santissimo Sacramento is from the 18th century. The main altarpiece depicting Sant'Agata with Saints Peter, Paul, Lucia, Apollonia standing before the cross (1522) is a masterwork by Francesco Prata from Caravaggio.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.